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Born to Love (1931)

Passed  -  Drama | War  -  17 April 1931 (USA)
5.6
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Ratings: 5.6/10 from 102 users  
Reviews: 5 user | 1 critic

A war officer who is thought dead returns to the woman he loves, only to find she has remarried.

Director:

Writers:

(photoplay), (dialogue)
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Title: Born to Love (1931)

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Cast

Complete credited cast:
...
Doris Kendall
...
Paul Cavanagh ...
Sir Wilfred Drake
Frederick Kerr ...
Lord Ponsonby
Louise Closser Hale ...
Lady Ponsonby
Anthony Bushell ...
Leslie Darrow
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Storyline

A war officer who is thought dead returns to the woman he loves, only to find she has remarried.

Plot Summary | Add Synopsis

Genres:

Drama | War

Certificate:

Passed
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Details

Country:

Language:

Release Date:

17 April 1931 (USA)  »

Also Known As:

Feita para Amar  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Goofs

Towards the end when Doris goes in the dark bedroom and sees her son Doris' shadow does not match her movements. See more »

Soundtracks

The Darktown Strutters' Ball
(1917) (uncredited)
Written by Shelton Brooks
Played at a dance
Incorporated into the score
See more »

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User Reviews

 
Melodramatic But Effective
3 August 2005 | by (United States) – See all my reviews

In BORN TO LOVE, Constance Bennett (Doris) and Joel McRea (Barry) are lovers who meet during the last weeks of the First World War. London is portrayed as a city in imminent danger of bombs from aircraft. They meet and predictably fall in love despite the chaos and confusion that surround them. There is an interesting scene in which they make love, one that is prudishly suggested off screen, yet one that in just a few years would have been banned by Hollywood as overtly salacious. The plot is the contrived package of Barry's reported death, forcing Doris to marry another. The second half of the film is less melodramatic and more of an acerbic commentary on the harshness of an English divorce system that allows a rich and titled husband to retain custody of a child over the wishes of a impecunious mother. There is an encoded ideology in the film that does not hide the fact that poor women who marry titled men can expect no mercy or kindness from a patriarchal legal system. BORN TO LOVE nevertheless carries the audience to a satisfying if not predictable conclusion of the need for true love to triumph over formidable societal obstacles.


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