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The unsolved murder of a Hollywood actor several years earlier and an enigmatic psychic are the keys to help Charlie solve the Honolulu stabbing death of a beautiful actress.

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While visiting the circus with his family, Charlie is recruited by the big top's co-owner to investigate threatening letters that he's received.

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While investigating the theft of antiquities from an ancient tomb excavation , Charlie discovers that the body of the expedition's leader concealed inside the mummy's wrappings.

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When a friend of Charlie's is found kicked to death by his own race horse on board a Honolulu-bound liner, the detective discovers foul play and uncovers an international gambling ring.

Director: H. Bruce Humberstone
Stars: Warner Oland, Keye Luke, Helen Wood
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Cast

Complete credited cast:
...
...
...
Tarneverro
...
Shelah Fane
Victor Varconi ...
Robert Fyfe
Murray Kinnell ...
Archie Smith
William Post Jr. ...
Alan Jaynes
...
Jimmy Bradshaw
Violet Dunn ...
Anna the maid
J.M. Kerrigan ...
Thomas MacMasters
Mary Gordon ...
Mrs. MacMasters
Rita Rozelle ...
Otto Yamaoka ...
Kashimo
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Storyline

Movie star Sheila Fayne is seeing wealthy Alan Jaynes while filming in Honolulu, Hawaii, but won't marry him without consulting famed psychic Tanaverro first. Tanaverro confronts her about the unsolved murder of fellow film star Denny Mayo three years earlier, and she decides to reject Jaynes' proposal. When Sheila is found shot to death in her beach-front pavilion, Charlie Chan of the Honolulu Police investigates. Written by Sister Grimm <srgrimm@teleport.com>

Plot Summary | Plot Synopsis

Taglines:

CHARLIE CHAN'S Latest Thriller


Certificate:

Passed
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Details

Country:

Language:

Release Date:

21 June 1931 (USA)  »

Also Known As:

Charlie Chan in the Black Camel  »

Filming Locations:

 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

| (Western Electric System)

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

The fifth of forty-seven Charlie Chan movies starring Warner Oland and others. See more »

Goofs

The plot of this otherwise quite entertaining mystery contains a hole the size of the Grand Canyon. Part of the solution hinges on a close resemblance between a murdered actor and one of the suspects. In fact, two other characters hide portions of a torn photograph to cover up that resemblance - this despite the fact that most of the suspects admit to having been acquaintances (at least!) of said earlier murder victim. All the suspects would, therefore have to have been quite familiar with the resemblance between one of them and the dead actor, and only the murderer (and possibly one or two other characters) would have any reason to conceal the resemblance. Surely the innocent suspects would have immediately have informed Chan of what they knew, yet no-one mentions it! See more »

Quotes

Kashimo: Think we make mistake?
Charlie Chan: Who can say? Even wisest man sometimes mistake bumblebee for blackberry.
See more »

Connections

Followed by Charlie Chan in Egypt (1935) See more »

Soundtracks

Na Lei O Hawaii
(uncredited)
Written by Charles E. King
See more »

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User Reviews

 
Here we go!
30 September 2006 | by (Derby, UK) – See all my reviews

The 2nd real Charlie Chan film, the earliest to survive of the 38 that Warner Oland and then Sidney Toler churned out over the next 16 years for Fox and Monogram. Pretty faithful to Earl Derr Bigger's book, this only suffers mildly from the echoey staginess associated with early talkies, with some erratic acting but also some lovely smoky visuals of "Honolulu".

A woman with a dark past is stabbed to death at a hotel - of course all of the guests along with the butler and maid are involved for Charlie to sort through and mull over. Unravelling the threads of the mystery Charlie proved his eyes had microscopic capabilities (wonder how much DNA fingerprinting would've slowed him down?) - and that he was one of those "very clever men able to bite pie without breaking crust". There's a beautiful scene with the entire Chan Clan at the breakfast table that's worth a look on it's own. It all runs delightfully true to form, the excellent polished cast playing up well, especially young Robert Young and Bela Lugosi.

I can't speak for everyone else of course but I still cherish the hope films 1/3/4/5 will one day be found for the additional 5 hours pleasure.


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