Antinea. the Queen of Atlantis, rules her secret kingdom hidden beneath the Sahara Desert. One day two lost explorers stumble into her kingdom, and soon realize that they haven't really ... See full summary »
This film, which is basically the longest narrative film ever made, is a 15-1/2 hour episodic exploration of the character of Franz Biberkopf, "hero" of Alfred Döblin's acclaimed novel, as ... See full summary »
A working-class family in Berlin in 1931 where survival is difficult, with massive unemployment in the wake of the Great Depression. After Anni's brother commits suicide in despair, her ... See full summary »
Munich, 1955: A sports journalist meets Veronika Voss, an UFA actress who supposedly had an affair with Goebbels. Now declining, Voss is kept by her "kind" doctor, Dr. Katz, supplying her ... See full summary »
Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie ... See full summary »
Nan, a racketeer's daughter, is in love with The Kid, a shooting gallery showman. Despite Nan's prodding, The Kid has no ambitions about joining the rackets and making enough money to ... See full summary »
In Switzerland German singer 'Willie' falls in love with Jewish composer 'Robert' who offers resistance to the Nazis by helping refugees. But his family thinks that 'Willie' is also a Nazi ... See full summary »
Rainer Werner Fassbinder
A behind-the-scenes documentary providing viewers with an in-depth look at the making of this classic film biography of freed convict Franz Biberkopf. This made-for-TV production looks at ... See full summary »
Marianne falls in love with con man Valentine who uses their relation to get her father's endorsement on a money-raising scheme. He runs off with the money and Marianne, later dumping her. ... See full summary »
In and around a bell maker near Marburg (today Slovenia) people tell the story of a treasure that was hidden during the Turki invasion of 1683, the year the Turkish Army was besieging ... See full summary »
Georg Wilhelm Pabst
If you've read the book, this film version comes as a surprise - how does it manage to make so little of so much? Or is it so much of so little? Döblin co-authored the screenplay, which compresses his sprawling novel into a breathless eighty-eight minutes. Of course, much is sacrificed, but the skeleton plot still compares favourably to that of many modern movies. Technically, too, this flick has aged magnificently - considering this is one of the first German films with sound, what we see and hear is a lot smoother than I'd expected. The cinematography is astonishing by the standards of the decades that followed: there's an opening sequence of our hero (played by Heinrich George, a huge bear of an actor) just out of jail, dizzied by the speed of a tram and the chaos of the surrounding traffic, which is almost as vertiginous as "Vertigo". Reminds one that 1931 was the year of Fritz Lang's "M". Was film a more experimental art form then than it is now? It was also fascinating to see how modern the Berlin of seventy years ago still looks: true, the men have moustaches, and there are horses on the streets, and there isn't a single phone call in the plot, and the actors don't look like models, at least not all of them, thank goodness; but the villains could be straight from Hollywood, as could the fast cars, the glossy ads all over the buildings, the bars, the knee-length skirts and short bobs, and above all the sheer tempo of city life. It was a hugely enjoyable experience and gave me a better idea of the times my grandparents grew up in.
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