A working-class family in Berlin in 1931 where survival is difficult, with massive unemployment in the wake of the Great Depression. After Anni's brother commits suicide in despair, her ... See full summary »
Edwin, a taxi driver, lives with Annie, a neurasthenic model. They plan to spend Sunday at the Nikolassee beach with Wolfgang, an officer, gentleman, antiquarian, gigolo, at the moment a ... See full summary »
In the nineteenth century, seventeen year old Effi Briest is married to the older Baron von Instetten and moves into a house, that she believes has a ghost, in a small isolated Baltic town.... See full summary »
Rainer Werner Fassbinder
A mogul merrily funds terrorists to boost his computer sales, by panicking West German government and industry c. 1980, as the third generation of Western European left-wing activists forms... See full summary »
Rainer Werner Fassbinder
In Hungary, the national movement led by Kossuth has been crushed and the Austrian hegemony re-established, but partisans carry on with violent actions. In order to root out the guerilla, ... See full summary »
When two russian captains of cavalry came to a German post station one of them recalls what happened long time ago. He begins to tell the story: Ten years ago a comrade of them made a ... See full summary »
An altruistic department-store owner hires ex-convicts in order to give them a second chance at life. Unfortunately, one of the convicts he hires recruits two of his fellow ex-convicts in a plan to rob the store.
A behind-the-scenes documentary providing viewers with an in-depth look at the making of this classic film biography of freed convict Franz Biberkopf. This made-for-TV production looks at ... See full summary »
If you've read the book, this film version comes as a surprise - how does it manage to make so little of so much? Or is it so much of so little? Döblin co-authored the screenplay, which compresses his sprawling novel into a breathless eighty-eight minutes. Of course, much is sacrificed, but the skeleton plot still compares favourably to that of many modern movies. Technically, too, this flick has aged magnificently - considering this is one of the first German films with sound, what we see and hear is a lot smoother than I'd expected. The cinematography is astonishing by the standards of the decades that followed: there's an opening sequence of our hero (played by Heinrich George, a huge bear of an actor) just out of jail, dizzied by the speed of a tram and the chaos of the surrounding traffic, which is almost as vertiginous as "Vertigo". Reminds one that 1931 was the year of Fritz Lang's "M". Was film a more experimental art form then than it is now? It was also fascinating to see how modern the Berlin of seventy years ago still looks: true, the men have moustaches, and there are horses on the streets, and there isn't a single phone call in the plot, and the actors don't look like models, at least not all of them, thank goodness; but the villains could be straight from Hollywood, as could the fast cars, the glossy ads all over the buildings, the bars, the knee-length skirts and short bobs, and above all the sheer tempo of city life. It was a hugely enjoyable experience and gave me a better idea of the times my grandparents grew up in.
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