The Baron is a banker, in Vienna, who works at at very fast pace. He appreciates beautiful women, but fires the beautiful Miss Frey as he considers her a diversion to work. Susie sneaks ... See full summary »
Roy Del Ruth
Lois is the editor of the 400 Magazine and is a work-a-holic. When Tom comes to her office to sell her a rowing machine, he leaves as her personal secretary. After a short time, he is an ... See full summary »
Peg and her father live a simple life in an Irish fishing village. One day Sir Gerald arrives at the village to tell Pat that Peg is heir to estate of her grandfather, who hated Pat. The ... See full summary »
Robert Z. Leonard
J. Farrell MacDonald
Hard-hitting news editor Jim Branch falls for high-society type Sharon Norwood but can't get to first base as he continually makes use of her knowledge of the rich and famous to try to ... See full summary »
Robert Z. Leonard
When Polly Fisher, a circus aerialist, is hurt while performing, she is taken to the house of a nearby minister, John Hartley. As she recuperates, they fall in love with each other and ... See full summary »
C. Aubrey Smith
Lonely in his English country estate, Sir Basil decides to gather his grown (albeit illegitimate) children around him in his declining years. He uses a ledger which keeps track of the payments he has been making to ex-lovers to locate 2 of them, and a third is found by a lawyer in New York, her mother was too proud to accept any money. Sir Basil is a curmudgeon, and his three adult children have a hard time with him at first. Toni, the American, is a free spirit who had a budding career in show business. Jeffery is English and a semi-gentleman, and Maria is Italian, with a Latin temperament. They begin to bond, especially Sir Basil and Toni, whose outgoing personality finally wins over the old man. But past lives begin to creep back into the picture and threaten the old man's plans for a life filled with his children. Written by
This is one of the better Marion Davies talkies - and one of the few to allow her to exhibit her skill as a physical comedian which was so endearing in her silent films. OK, so she does a clunky tap number, but even Ruby Keeler's dancing from the era does not hold up for younger generations. The problem here is the script. The story falls into unbelievable melodrama in the last reel. It's quite stagey, and is obviously adapted from a play... but not well enough. Still, there is some snappy dialogue and slapstick throughout. Worth a look.
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