A surrealist tale of a man and a woman passionately in love with one another, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society.
A surrealistic documentary portrait of the region of Las Hurdes, a remote region of Spain where civilisation has barely developed, showing how the local peasants try to survive without even the most basic utilities and skills.
One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »
When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable ... See full summary »
Bunuel's first feature has more of a plot than Un Chien Andalou (1929), but it's still a pure Surrealist film, so this is only a vague outline. A man and a woman are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society. Written by
Michael Brooke <email@example.com>
This film was granted a screening permit after being presented to the Board of Censors as "the dream of a madman." After the film opened in Paris at Studio 28 on October, 1930, word spread about the film's bizarre content. On the evening of 3 December, 1930, halfway through the film, the fascist League of Patriots and other groups began to throw purple ink at the screen. They then rushed out into the lobby of the theater, slashing paintings by Yves Tanguy, Salvador Dalí, Joan Miró, and Man Ray. The producers of the film, Le Vicomte de Noailles and Marie-Laure de Noailles, soon withdrew the film from circulation. The (legal) US premiere of subtitled prints of this film took place 1-15 November, 1979, at the Roxie Cinema, San Francisco. See more »
I have waited for a long time. What joy to have our children murdered!
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Strange film by two Spanish maestros of surrealism and abstraction , Luis Buñuel and Salvador Dali
Surrealism and sour attack upon religion by the Spanish master , the great Luis Buñuel .This is a typical Buñuel film , as there are a lot of symbolism and surrealism , including mockery or wholesale review upon religion, especially Catholicism . This film opens with a documentary on scorpions (this was an actual film made in 1912 which Luis Buñuel added commentary) ; later on , a man (Gaston Modot) and a woman (Lyla Lys) are passionately in love with one another, but their attempts to consummate that passion are constantly interrupted by their families, the Church and bourgeois society.
This is a strange and surrealist tale of a couple who are passionately in love , but their attempts to consummate it are constantly thwarted ; it is an absurd , abstract picture that was banned for over 50 years. This is the most scandalous of all Buñuel's pictures . It is packed with surreal moments , criticism , absurd situations and religious elements about Catholic Church ; furthermore Buñuel satirizes and he carries out outright attacks to religious lifestyle and Christian liturgy . Luis Buñuel was given a strict Jesuit education which sowed the seeds of his obsession with both subversive behavior and religion , issues well shown in ¨Age of Gold¨. Here Buñuel makes an implacable attack to the Catholic church , theme that would preoccupy Buñuel for the rest of his career . It is surreal , dreamlike , and deliberately pornographically blasphemous . Buñuel made his first film , a 17-minute longtime short film titled "Un Chien Andalou" (1929), and immediately catapulted himself into film history thanks to its disturbing images and surrealist plot , the following year , sponsored by wealthy art patrons, he made his first picture , this scabrous witty and violent "Age of Gold" (1930), which mercilessly attacked the church and the middle classes . Buñuel's first picture has more of a script than ¨Un Chien Andalou¨ , but it's still a pure Surrealist flick . For various legal reasons, this film was withdrawn from circulation in 1934 by the producers who had financed the film and the US premiere was on 1 November 1979 . This film was granted a screening permit after being presented to the Board of Censors as the dream of a madman . However , on the evening of 3 December 1930, the fascist League of Patriots and other groups began to throw purple ink at the screen, then rushed out into the lobby of the theater, slashing paintings by Yves Tanguy, Salvador Dalí, Joan Miró, and Man Ray . This is an avant-garde collaboration with fellow surrealist Salvador Dali in which Buñuel explores his characteristic themes of lust , social criticism , cruelty, anti-religion , bizarre content , hypocrisy and corruption . This is an ordinary Buñuel film , here there are symbolism , surrealism , being prohibited on the grounds of blasphemy .
The motion picture was compellingly directed by Luis Buñuel who was voted the 14th Greatest Director of all time . This Buñuel's strange film belongs to his first French period ; he subsequently emigrated to Mexico and back to France where filmed other excellent movies . After moving to Paris , at the beginning Buñuel did a variety of film-related odd jobs , including working as an assistant to director Jean Epstein . With financial help from his mother and creative assistance from Dalí, he made his first film , this 17-minute "Un Chien Andalou" (1929), and subsequently ¨Age of Gold¨ . His career, though, seemed almost over by the mid-1930s, as he found work increasingly hard to come by and after the Spanish Civil War , where he made ¨Las Hurdes¨ , as Luis emigrated to the US where he worked for the Museum of Modern Art and as a film dubber for Warner Bros . He subsequently went on his Mexican period he teamed up with producer Óscar Dancigers and after a couple of unmemorable efforts shot back to international attention , reappearing at Cannes with ¨Los Olvidados¨ in 1951 , a lacerating study of Mexican street urchins , winning him the Best Director award at the Cannes Film Festival. But despite this new-found acclaim, Buñuel spent much of the next decade working on a variety of ultra-low-budget films, few of which made much impact outside Spanish-speaking countries , though many of them are well worth seeking out . As he went on filming "The Great Madcap" , ¨The brute¨, "Wuthering Heights", ¨El¨ , ¨Susana¨ , "The Criminal Life of Archibaldo De la Cruz" , ¨Robinson Crusoe¨ , ¨Death in the garden¨ and many others . His mostly little-known Mexican films , rough-hewn , low-budget melodramas for the most part , are always thought-provoking and interesting ; being ordinary screenwriter Julio Alejandro and Luis Alcoriza . He continued working there until re-establishing himself in Europe in the 1960s as one of the great directors . And finally his French-Spanish period in collaboration with producer Serge Silberman and writer Jean-Claude Carrière with notorious as well as polemic films such as ¨Viridiana¨ ¨Tristana¨ , ¨The Discreet Charm of the Bourgeoisie" , of course , ¨ ¨Belle Du Jour¨ , with all the kinky French sex and his last picture , "That Obscure Object of Desire" .
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