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L'Age d'Or (1930)
"L'âge d'or" (original title)

7.5
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Ratings: 7.5/10 from 8,156 users  
Reviews: 53 user | 65 critic

A surrealist tale of a man and a woman who are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society.

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(scenario) (as Bunuel) , (scenario) (as Dali) , 1 more credit »
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Title: L'Age d'Or (1930)

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Cast

Complete credited cast:
Gaston Modot ...
The Man
Lya Lys ...
Caridad de Laberdesque ...
Chambermaid / Little Girl
Max Ernst ...
Leader of men in cottage
Josep Llorens Artigas ...
Governor (as Llorens Artigas)
Lionel Salem ...
Germaine Noizet ...
Marquise (as Mme Noizet)
Duchange ...
Conductor
Bonaventura Ibáñez ...
Marquis (as Ibanez)
Edit

Storyline

Bunuel's first feature has more of a plot than Un Chien Andalou (1929), but it's still a pure Surrealist film, so this is only a vague outline. A man and a woman are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society. Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Add Synopsis

Taglines:

Banned for over 50 years [Australia Theatrical] See more »

Genres:

Comedy | Drama

Certificate:

See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 November 1979 (USA)  »

Also Known As:

L'Age d'Or  »

Filming Locations:

 »

Box Office

Opening Weekend:

$7,940 (USA) (30 January 2004)

Gross:

$32,712 (USA) (21 May 2004)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Tobis-Klangfilm)

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

This film was granted a screening permit after being presented to the Board of Censors as the dream of a madman. Opening at Studio 28 in Paris in October 1930, word spread about the film's bizarre content. On the evening of 3 December 1930, the fascist League of Patriots and other groups began (halfway through the film) to throw purple ink at the screen, then rushed out into the lobby of the theater, slashing paintings by Yves Tanguy, Salvador Dalí, Joan Miró, and Man Ray. The producers of the film, Le Vicomte de Noailles and Marie-Laure de Noailles, soon withdrew the film from circulation. The (legal) US premiere of subtitled prints of this film took place 1-15 November 1979 at the Roxie Cinema, San Francisco. See more »

Quotes

Young Girl: I have waited for a long time. What joy to have our children murdered!
See more »

Connections

Referenced in Att angöra en brygga (1965) See more »

Soundtracks

Ave Verum Corpus K.618
Written by Wolfgang Amadeus Mozart
See more »

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User Reviews

a masterpiece of nonsense
28 July 2002 | by See all my reviews

This film is often regarded as the best surrealistic film of all time. Like in his previous film "un chien andalou", Bunuel introduces us a film with a cock-and-bull screenplay. In this movie, he's using the power of his imagination and this is one of the surrealism's goals. The movie starts with a documentary on the scorpions, then some thieves are discovering four archbishops on the rocks, next, come the founders of Rome. Later, in Rome, a young woman is finding a cow on her bed; during a reception, in a beautiful castle, a tipcart full of workers is crossing the living-room and other weird events like these ones happen later..... It's easy to find out why this movie was forbidden for a long time in France (it was finally re-released in 1981). If you think that some elements of the story (if there is one!) like the four archbishops or the tipcart are funny, well they aren't. It's only his second film and Bunuel's showing us his obsessions: he's laughing at religion and upper middle class by ridiculing them and he is against the conformity. That's why his movie's got nonsense and even the title: why the Golden Age? However, behind all this nonsense, there is a love story between Gaston Modot and Lya Lys which is more sketched out than told.

Moreover, the film also created a huge scandal due to the last sequence. It was inspired by the most horrible French novel: "les 120 journées de Sodome" by the Marquis de Sade (Bunuel used to admire him). This French writer's novels were forbidden for a long time due to their violence and their philosophy. In the movie, the scene created a double scandal because the count of Blangis's got the Christ' head! This film is incredible and fascinating due to the screenplay and its unexpected events. If you want to discover Bunuel's films, this one is a good start


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