A surrealist tale of a man and a woman who are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society.
A young man and woman's honeymoon is cut short when the man learns that his mother has fallen ill back at home. The newlywed couple rush there to discover the other sons neglecting their ... See full summary »
Luis Aceves Castañeda
Buñuel's first "comeback" film since "L'Age d'Or" in 1930 (he made only a few musicals in the interim), "El Gran Calavera" concerns a family's attempts to change the patriarch's somewhat ... See full summary »
After indulging in an affair with a man (a friend of the family) she truly loves, a woman returns to her young son and husband for good, and loses contact with the man. Her husband is ... See full summary »
An unstable young woman escapes from a reformatory for very, very wayward girls and deceptively finds shelter in the kind home of a frighteningly nice and decent family. Little by little, ... See full summary »
Víctor Manuel Mendoza
The wife of a physician who diligently cares for the poor, grows weary of their dull South France factory town and pressures her older husband to move to glorious Nice, on the Mediterranean... See full summary »
A surrealistic documentary portrait of the region of Las Hurdes, a remote region of Spain where civilisation has barely developed, showing how the local peasants try to survive without even the most basic utilities and skills.
Bunuel's first feature has more of a plot than Un Chien Andalou (1929), but it's still a pure Surrealist film, so this is only a vague outline. A man and a woman are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society. Written by
Michael Brooke <firstname.lastname@example.org>
For various legal reasons, this film was withdrawn from circulation in 1934 by the Le Vicomte de Noailles (1891-1981) and Vicomtesse Marie-Laure de Noailles (1902-1970) who had financed the film. The US premiere was on 1 November 1979 at the Roxie Cinema in San Francisco. See more »
I have waited for a long time. What joy to have our children murdered!
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After completing Un Chien Andalusia with Salvador Dali (who helped write the screenplay) Bunuel began his new film titled L'age D'or, translated as The Golden Age. Altho not entirely collaborating on the screenplay, Dali still received his credential for L'age D'or; however, this film was primarily a sole project for Bunuel. In this film Bunuel attacks religion with the famous image of a skeletal clergy resting on the shore of Catalonia. In addition, the film contains other sensational and bizarre imagery (i.e. a cow laying on a bed, a woman having a bowel movement, a man with a boulder on his head, a festering wound on a man's eye, and the like). Obviously, L'age D'or was controversial at it's time, and still is for some audiences. However, the films takes at least 3 times to completely understand Bunuel's symbolism (the way I saw it), as well as the ambiguous conclusion which is still a bit hazy for me. The film's pace is rather slow and can be dull at moments; nevertheless, it takes a lot of patience to even enjoy this film, considering the irregular structure of the story-line. However, that doesn't mean the film is a bomb: it's definitely a standard in the history of art-and-film, influencing a dozen surrealist filmmakers (ie, Cocteau, Fellini) as well as underground directors. In Short, this film will start to grow on the viewer after several viewings. Bunuel was ahead of his time as a director, therefore L'age D'or may seem out of place for todays audiences as well as todays critics.
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