A surrealist tale of a man and a woman passionately in love with one another, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society.
A surrealistic documentary portrait of the region of Las Hurdes, a remote region of Spain where civilisation has barely developed, showing how the local peasants try to survive without even the most basic utilities and skills.
One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »
When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable ... See full summary »
Bunuel's first feature has more of a plot than Un Chien Andalou (1929), but it's still a pure Surrealist film, so this is only a vague outline. A man and a woman are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society. Written by
Michael Brooke <email@example.com>
This film was granted a screening permit after being presented to the Board of Censors as "the dream of a madman." After the film opened in Paris at Studio 28 on October, 1930, word spread about the film's bizarre content. On the evening of 3 December, 1930, halfway through the film, the fascist League of Patriots and other groups began to throw purple ink at the screen. They then rushed out into the lobby of the theater, slashing paintings by Yves Tanguy, Salvador Dalí, Joan Miró, and Man Ray. The producers of the film, Le Vicomte de Noailles (1891-1981) and Vicontesse Marie-Laure de Noailles (1902-1970), soon withdrew the film from circulation. Threatened with excommunication by the French clergy, the Noailles family pulled the film from distribution for nearly 50 years. See more »
I have waited for a long time. What joy to have our children murdered!
See more »
After the 1929, surreal short film "Un Chien Andalou"; Luis Bunuel and Salvador Dali collaborated once again. This time in 1930 for " L Age D Or" (the Age of Gold) A scathing satire attacking the bourgeois state, religion, and the wealthy elite. The film concerns a man's quest for a women's unattainable love; a common theme with Bunuel. The couple is caught making love and separated by authorities. Throughout, the film the man tries to pursue the woman with no luck. He's repeatedly interrupted by different institutions. Finally, the couple is reunited at a snotty high class party. Things go down hill from there as the film get's more and more crazy. " L Age D Or" contains many bizarre surreal images such as crippled soldiers who use guns for crutches, priest's that turn into skeletons, a cow in the leading lady's bedroom, toe fetishes and a giraffe and priest getting thrown out a window and harpooned. The dark humor was way ahead of it's time. Watch as a father shoots his own kid for not obeying him. In fact it's easy to see why, it's festival premiere caused a riot. It was also extremely controversial for it's blasphemous images. Of course, today it's less shocking and more hilarious. Bunuel and Dali were anarchic in their vision of society. Attacking every form of hypocrisy through surrealism, they inspired many directors. This film is a must for anyone who's interested in surrealism or the history of cinema. Also check out "The Phantom of Liberty" for more crazy Bunuel madness.
29 of 53 people found this review helpful.
Was this review helpful to you?