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À propos de Nice (1930)

What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Cote d'Azur, especially its wealthy inhabitants.

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Storyline

What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Cote d'Azur, especially its wealthy inhabitants.

Plot Summary | Plot Synopsis


Certificate:

Not Rated | See all certifications »
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Details

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Release Date:

28 May 1930 (France)  »

Also Known As:

Nizza  »

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Technical Specs

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The movie was financed by Vigo's father-in-law. See more »

Connections

Featured in Nuestra memoria es para siempre (2017) See more »

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User Reviews

A small-scale, witty and satirical examination on the ideas of class
21 March 2008 | by (United Kingdom) – See all my reviews

Other reviewers have already commented on Vigo's subversive deconstruction of the various narrative requirements and visual iconography of the travelogue format for the purposes of cutting satire, to the point at which we almost forget to view the film on such a level; instead taking it entirely at face value. A Propos de Nice (1930) is a short work, though only twenty minutes shorter than Zéro de conduit (1933), which is an obvious minor masterpiece. Whereas that particular film - as well as the director's final feature, the even greater L'Atlante (1934) - presented captivating images and fragmented ideas backed by traces of character and narrative, the film in question is a purely visual experience. To understand the film we must read deeply into the subtle juxtaposition of the images as they are presented to us, in order to greater appreciate the ideas that Vigo is trying to convey.

As with his second short film, Taris, roi de l'eau (1931), which looked at the daily routine of a synchronised swimmer, A Propos de Nice takes a conventionally bland presentational format and style and transforms it into a pure cinematic event. It is still, in all respects, a small-scale work; one that may confound and disappoint audiences looking for more of the magical realism and pretty evocation of youth and beauty presented by both Zéro de conduit and L'Atlante, though it is worth experiencing purely for Vigo's radical presentation and satirical evaluation of class and the bourgeoisie.


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