Zemlya (1930)

User Rating:

7.6/10   

Director:

Aleksandr Dovzhenko

Writer:

Aleksandr Dovzhenko (writer)

Release Date:

17 October 1930 (USA)

Genre:

Drama

Plot:

In the peaceful countryside, Vassily opposes the rich kulaks over the coming of collective farming.

Plot Keywords:

Death | Communism | Farm | Tractor | Nudity

Cast

Stepan Shkurat	...	Opanas (as S. Shkurat)
Semyon Svashenko	...	Vasili 'Basil' Opanas (as S. Svashenko)
Yuliya Solntseva	...	Vasili's sister (as Yu. Solntseva)
Yelena Maksimova	...	Natalya, Vasili's fiancee (as Ye. Maksimova)
Nikolai Nademsky	...	Semyon 'Simon' Opanas (as N. Nademsky)
Ivan Franko	...	Arkhip Whitehorse, Khoma's father (as I. Franko)
Pyotr Masokha	...	Khoma 'Thomas' Whitehorse (as P. Masokha)
Vladimir Mikhajlov	...	Village priest (as V. Mikhajlov)
Pavel Petrik	...	Young party-cell leader (as P. Petrik)
P. Umanets	...	Chairman of the village Farm Soviet
Ye. Bondina	...	Farm girl
Luka Lyashenko	...	Young Kulak (as L. Lyashenko)

Also Known As:

Земля (Soviet Union: Russian title)
Earth (USA)
Soil

Runtime:

75 min | USA:73 min (1991 Kino video)

Country:

Soviet Union

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

Finland:K-16 (1956) | Finland:S (1972)

Company:

Wufku

Trivia:

Soviet censors made Aleksandr Dovzhenko eliminate a number of scenes from the film, including a shot of peasants urinating in a tractor radiator and a scene where a dead man's fiancée mourns him in the nude.

Movie Connections:

Referenced in Life as a Dream (2007) (V)

Can Art Transcend Propaganda?

Like 'The Birth of a Nation' or 'The Triumph of the Will', 'Earth' is a brilliant, groundbreaking film even if morally despicable. And in retrospect of what happened after its release, Stalin's liquidation of millions of Kulaks, its hard not to compare Dovzhenko's Marxism to Reifenstahl's fascism or Griffith's racism. Apologists for all of these filmmakers tell us to 'ignore the story' or 'ignore the propaganda'. Even the Kino DVD introduction instructs us to not take the film literally.

Perhaps instead of asking, 'Can propaganda be art?' the better question is , 'Can art transcend propaganda.' In 'Earth', I think Dovzhenko partially succeeds. The lyrical cycles of birth and death on the Ukrainian steppe are told with visual poetry. In fact, as the film goes on Dovzhenko obviously becomes uninterested in the circumstances of Vasily's murder and martyrdom for the collectivist cause. No doubt, the Soviet regime produced this film to (a) encourage collectivization against private ownership, and (b) Encourage a retro-pagan worship of agrarian life against orthodox Christianity. The collectivist vs. Kulak story in (a) is crude and unconvincing propaganda to a modern audience with historical perspective on Stalin's brutalities in the 1930's. However, it is with the fertile imagery and montage of natural cycles in (b) that Dovzhenko succeeds beautifully and transcends the story and makes it timeless.