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Earth (1930)
"Zemlya" (original title)

 |  Drama  |  17 October 1930 (USA)
7.5
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Ratings: 7.5/10 from 3,087 users  
Reviews: 41 user | 30 critic

In the peaceful countryside, Vassily opposes the rich kulaks over the coming of collective farming.

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Cast

Complete credited cast:
Stepan Shkurat ...
Opanas (as S. Shkurat)
Semyon Svashenko ...
Vasili 'Basil' Opanas (as S. Svashenko)
Yuliya Solntseva ...
Vasili's Sister (as Yu. Solntseva)
Yelena Maksimova ...
Natalya - Vasili's Fiancee (as Ye. Maksimova)
Nikolai Nademsky ...
Semyon 'Simon' Opanas (as N. Nademsky)
Ivan Franko ...
Arkhip Whitehorse - Khoma's Father (as I. Franko)
Pyotr Masokha ...
Khoma 'Thomas' Whitehorse (as P. Masokha)
Vladimir Mikhaylov ...
Village Priest (as V. Mikhajlov)
Pavel Petrik ...
Young Party-Cell Leader (as P. Petrik)
P. Umanets ...
Chairman of the Village Farm Soviet
Ye. Bondina ...
Farm Girl
Luka Lyashenko ...
Young Kulak (as L. Lyashenko)
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Storyline

Dovzhenko's "film poem" style brings to life the collective experience of life for the Ukranian proles, examining natural cycles through his epic montage. He explores life, death, violence, sex, and other issues as they relate to the collective farms. An idealistic vision of the possibilities of Communism made just before Stalinism set in and the Kulack class was liquidated, "Earth" was viewed negatively by many Soviets because of its exploration of death and other dark issues that come with revolution. Written by Jeff Walker <star5780@ix.netcom.com>

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

Release Date:

17 October 1930 (USA)  »

Also Known As:

Soil  »

Company Credits

Production Co:

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Technical Specs

Runtime:

| (1991 Kino video)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

This film was voted one of the twelve greatest films of all time by a group of 117 film historians at the 1958 Brussels World Fair. See more »

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User Reviews

 
Dovzhenko's masterpiece.
9 May 1999 | by (Chicago, USA) – See all my reviews

This great masterpiece of Soviet cinema has images so powerful and an editing technique so bold that at times the narrative is transcended. By this I mean that the film goes beyond it's original intention of arguing for changes from individualistic to more technologized and collective agricultural strategies and becomes a kind of realization of what a "liberated" agricultural zone would really look and feel like. This is a film ripe with the excitement of the creation of a new art to match a hopeful new world. It hardly needs to be mentioned that Stalinsit forces decried the final results of this masterpiece; calling it decadent and stylistically elitist. In actuality the film is too Marxist (I would go so far as to say too Leninist) for Stalinism. The film respects the ability of the viewer (and the viewers were assumed to be proletariat working class and agricultural workers) to grapple with rigorous ideas and images and to function outside of the narrative frame of individualistic melodrama. Like many early Soviet films this work seems not only ahead of its time, but, actually ahead of ours.




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