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Young Man of Manhattan (1930)

Passed  |   |  Comedy, Musical, Romance  |  17 May 1930 (USA)
6.6
Your rating:
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Ratings: 6.6/10 from 69 users  
Reviews: 7 user | 1 critic

Two flappers (Claudette Colbert and Ginger Rogers) try to get their newspaper reporter boyfriends to pay attention to them.

Director:

Writers:

(novel), (adaptation) (as Robert Presnell) , 1 more credit »
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Title: Young Man of Manhattan (1930)

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Cast

Complete credited cast:
...
Ann Vaughn
Norman Foster ...
Toby McLean
...
Puff Randolph
...
Shorty Ross
Leslie Austin ...
Dwight Knowles
Lorraine Aalbu ...
One of the Sherman Sisters (as Aalbu Sisters)
Aileene Aalbu ...
One of the Sherman Sisters (as Aalbu Sisters)
Fern Aalbu ...
One of the Sherman Sisters (as Aalbu Sisters)
Harriet Aalbu ...
One of the Sherman Sisters (as Aalbu Sisters)
H. Dudley Hawley ...
Doctor
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Storyline

Toby McLean, a reckless sports writer on a New York City newspaper, covers the Gene Tunney-Jack Dempsey heavyweight-championship fight in Philadelphia. There he meets Ann Vaughn, a feature writer for another newspaper, and they get married after a whirlwind romance. The romance begins to wane nearly as fast as it blossomed but, directly and indirectly, is salvaged by Toby's writer pal, "Shorty" Ross, and a ditsy socialite, "Puff" Randolph. Artchive footage provides shots of the Tunney-Dempsey fight, and other sports events of the era. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

Ran as a serial in the "Saturday Evening Post" and, as a novel , it is 1930's best-seller! (original poster) See more »


Certificate:

Passed
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Details

Country:

Language:

Release Date:

17 May 1930 (USA)  »

Also Known As:

Inconstância  »

Filming Locations:


Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. However, because of legal complications, this particular title was not included in the original television package and may have never been televised. See more »

Quotes

Puff Randolph: Cigarette me, big boy.
See more »

Soundtracks

I'll Bob Up With The Bob-O-Link
(uncredited)
by Irving Kahal, Pierre Norman, Sammy Fain and W. Raskin
See more »

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User Reviews

 
A prohibition era slice of life
16 October 2010 | by (United States) – See all my reviews

I thoroughly enjoyed this quirky little film that plot-wise isn't much more than the story of the trials and tribulations of a newlywed couple, starring an actually married couple, Claudette Colbert and Norman Foster. What makes it special are the precode themes, the look inside the lives of somewhat normal people in big bustling New York City at the end of the Jazz age but before the Depression has really taken hold - there's not a mention of it here, and finally Ginger Rogers as a knock-off of Helen Kane, something she did only early in her career.

The story revolves around the whirlwind courtship and then marriage of movie columnist Ann Vaughn (Claudette Colbert) and sports columnist Toby McLean (Norman Foster). We don't see much chemistry building between the two - they barely have met when Toby bursts into Ann's hotel room and declares his love, and in the next scene they're married. Ann claims to be a modern sort, says she doesn't mind paying for their apartment, says she thinks that they should feel free to see other people for dinner dates although they're married, and talks the talk of a thoroughly modern woman. However, flapper Puff Randolph (Ginger Rogers) chasing her husband and Ann's discovery of her husband's seeming lack of professional ambition soon has her walking a different kind of walk. It doesn't help that both Ann's and Toby's jobs have them spending long stretches on the road and away from each other.

Charles Ruggles really did a good job here as Toby's friend and fellow sports columnist Shorty Ross. Paramount gave Ruggles more than his share of parts as the annoying perpetual drunk in the early 30's, and in this film he does more than enough drinking, but manages to get some good lines in - usually at the expense of Puff - and also adds to the humor of the film in a significant way. I'd highly recommend this film for fans of precode and films that display the Jazz Age in full flower.


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