Joan Fry, a society woman, falls in love with Chuck Riley, the white-leader of a powerful gang in Chinatown, and he quickly drags her down into the depths with him. But seeing her so much ... See full summary »
William A. Wellman
After accidentally killing the man who raped her and forced her into prostitution, a New Orleans woman flees to a Caribbean island. While she awaits her fiancé, the vicious local police chief sets his sights on her.
William A. Wellman
A married restaurant owner is persuaded to become a bootlegger by a beautiful young girl. When he starts making money at it, she steals it, then runs off with another man. His wife finds ... See full summary »
During the Great Depression, a wealthy banker throws away his wife's expensive fur coat; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
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One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
Reviewer wmorrow59 above just about covers all the bases for "Young Eagles", but I wanted to touch on the backdrop story he didn't mention. Without giving things away, one of the principals is a German spy assigned to give Paul Lukas safe passage back to the German lines. It adds another dimension, however slight, to the picture. It is sorely needed, because the slim plot can barely hold itself together otherwise.
Unlike WWII, fliers in The Great War observed all the niceties of gentlemanly conduct. In sporting fashion, they would help each other if one were shot down, and in some cases become friends or at least maintain a monotonous cordiality. I don't know if they went to the extreme portrayed here, wherein Buddy Rogers takes Lukas with him to Paris to enjoy one more night of freedom before being shipped off to a POW camp, but the plot hinges on this trip. You know, the spy thing.
The film is somewhat corny and stagey and with the stilted overacting characteristic of the early sound era. Paramount was trying to capitalize on the success of "Wings", which won the first Best Picture Oscar, but this film is only a pale imitation. There are some interesting dogfight sequences, Buddy Rogers and Jean Arthur are appealing, and Paul Lukas seems quite old for his role as a German ace. A good supporting cast helps matters, and I thought the whole production was good enough for a rating of six.
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