Western sheriff Bob Wells is preparing to marry Sally Morgan; she loves part-Indian Wanenis, whose race is an obstacle. Sally flees the wedding with hypochondriac Henry Williams, who thinks... See full summary »
Western sheriff Bob Wells is preparing to marry Sally Morgan; she loves part-Indian Wanenis, whose race is an obstacle. Sally flees the wedding with hypochondriac Henry Williams, who thinks he's just giving her a ride; but she left a note saying they've eloped! Chasing them are jilted Bob, Henry's nurse Mary (who's been trying to seduce him) and others. Written by
Rod Crawford <firstname.lastname@example.org>
Sure, the pacing is leaden (there's silence after every joke so the audience can laugh or applaud), there is no camera movement, it is essentially a photographed stage musical comedy, nobody can act - BUT - if you don't expect too much of this early talkie as film, and just sit back and enjoy it's two assets - early two-strip Technicolor and Eddie Cantor - you may just enjoy yourself immensely.
There are eight songs and two reprises, most memorably MAKIN WHOOPEE and MY BABY JUST CARES FOR ME.
Cantor is irrepressible and a total original. The Jewish shtick and the blatantly gay innuendo in so many of the jokes lay testimony to this being pre-Hayes code, and make viewings by today's audiences that much funnier.
Other reviewers on this site have elaborated on the inane plot, so I won't go into it. The colors are vivid (reds, browns greens)and give this an other-worldly look. The art direction earned an Oscar nom. If you can find it, get it and enjoy it. We have very very few surviving two-strip Technicolor films and just over a dozen two-strip Technicolor talkies that have managed to come down to us with their color elements intact. This is a little treasure.
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