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Whoopee! (1930)

TV-G  |   |  Comedy, Musical  |  5 October 1930 (USA)
7.9
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Ratings: 7.9/10 from 808 users  
Reviews: 21 user | 6 critic

Western sheriff Bob Wells is preparing to marry Sally Morgan; she loves part-Indian Wanenis, whose race is an obstacle. Sally flees the wedding with hypochondriac Henry Williams, who thinks... See full summary »

Director:

Writers:

(story), (based upon the play "The Nervous Wreck" by), 3 more credits »
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Title: Whoopee! (1930)

Whoopee! (1930) on IMDb 7.9/10

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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
...
Ethel Shutta ...
Paul Gregory ...
Wanenis
Eleanor Hunt ...
Jack Rutherford ...
Sheriff Bob Wells (as John Rutherford)
Walter Law ...
Jud Morgan
Spencer Charters ...
Jerome Underwood
Albert Hackett ...
Chester Underwood
Chief Caupolican ...
Lou-Scha-Enya ...
Matafay
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Storyline

Western sheriff Bob Wells is preparing to marry Sally Morgan; she loves part-Indian Wanenis, whose race is an obstacle. Sally flees the wedding with hypochondriac Henry Williams, who thinks he's just giving her a ride; but she left a note saying they've eloped! Chasing them are jilted Bob, Henry's nurse Mary (who's been trying to seduce him) and others. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Genres:

Comedy | Musical

Certificate:

TV-G
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Details

Country:

Language:

Release Date:

5 October 1930 (USA)  »

Also Known As:

Whoopee  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(copyright length)

Sound Mix:

(Western Electric Sound System)

Color:

(2-strip Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Unfortunately absent from this film version of the 1928 Broadway musical is Ruth Etting. In that show, she sang her signature torch song "Love Me or Leave Me" (music by Walter Donaldson, lyrics by Gus Kahn). No film is known to exist of Etting performing the song. Doris Day portrays Ruth Etting in Love Me or Leave Me (1955). See more »

Quotes

Mary Custer: Oh, poor Henry. Let me hold your hand.
Henry Williams: It's not heavy. I can manage. Hold your own hand.
See more »


Soundtracks

Bridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
A few bars played in the "Today's the Day" number
See more »

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User Reviews

 
Tough guys in pink
19 September 2010 | by (United States) – See all my reviews

This is one of the oldest surviving all-color talking films. The only other one I can think of from 1930 that is still with us is Universal's "King of Jazz" and "Under a Texas Moon". It will probably seem odd to you at first that the sheriff and his deputies - I assume they are deputies - are all dressed in rather cartoonish over-sized cowboy hats and pink scarves, but you have to remember two things. First this is, at heart, a musical farce and the costumes are part of that farce. Secondly, remember that two-strip Technicolor was all they had in 1930, that it was still considered a treat by the public, and that pink and blue were the colors this process rendered best.

The tale that acts as a vehicle for all of Eddie Cantor's antics is a simple one, and one that is repeated in several films over the years - that of forbidden love between races. Sally, a white girl, falls in love with Wanenis, an Indian. Since such marriages were forbidden, Wanenis goes away into the wilderness to deal with the fact they cannot be together. In the meantime, Sally's father arranges for her to marry Sheriff Bob Wells. Wanenis returns on Sally's wedding day, not knowing it is her wedding day. When Sally sees Wanenis, she knows she cannot go through with the sham wedding and runs away. The fun comes in with how she runs away. She tells sickly Henry Williams (Eddie Cantor) that she and Bob are planning to elope, and that she needs him to drive her into the next town. However, she leaves a note for everyone else saying she has eloped with Henry. Not only is the vengeful sheriff, his men, and Sally's father soon hot on their trail, but Henry's aggressively love-sick nurse is after them too. Only Wanenis finds this whole thing an odd turn of events and takes a short cut to go looking for them, separate from the rest of the pack. Complications and opportunities for Cantor's always enjoyable remarks, eye movements, and musical interludes ensue.

This film survives intact in splendid shape, and the Technicolor truly yields a spectacular painted desert. Although best remembered songs from this film will always be title song "Makin' Whoopee" and "My Baby Just Cares For Me", both performed by Eddie Cantor, I also really liked the love ballad sung by the star-crossed lovers Sally and Wanenis -"I'll Still Belong to You". It has an operatic quality that is typical of love songs from that era, and oddly enough was written by Nacio Herb Brown of MGM songwriting fame.

Finally, let me mention the fact that some of the racial aspects of this film might leave the modern viewer squeamish such as the stereotypes of native peoples and the fact that Eddie Cantor usually appeared in black-face as part of his act and does here too. Try to remember that none of this is out of character for a film made 80 years ago and no mean-spiritedness was intended at the time.

Highly recommended for a chance to see Eddie Cantor in one of his best.


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