8.8/10
23
2 user 1 critic

Sweet Mama (1930)

Passed | | Crime, Drama | 6 July 1930 (USA)
A young girl falls in love with a member of a gang of crooks. She determines to bring the rest of the gang to justice so she can save the man she loves.

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(dialogue), (screenplay) | 2 more credits »
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Cast

Cast overview:
...
Goldie
...
Jimmy
...
Joe Palmer
Rita Flynn ...
Lulu
...
Al Hadrick
...
Elmer
...
Mack
Lew Harvey ...
Gangster
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Storyline

A young girl falls in love with a member of a gang of crooks. She determines to bring the rest of the gang to justice so she can save the man she loves.

Plot Summary | Add Synopsis

Taglines:

One of the Most Sensational Stories That Even Came Out of the Underworld! (original poster) See more »

Genres:

Crime | Drama

Certificate:

Passed
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Details

Country:

Language:

Release Date:

6 July 1930 (USA)  »

Also Known As:

Conflict  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Vitaphone) (Western Electric Apparatus)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In September 1928, Warner Bros. Pictures purchased a majority interest in First National Pictures and from that point on, all "First National" productions were actually made under Warner Bros. control, even though the two companies continued to retain separate identities until the mid-1930's, after which time "A Warner Bros.-First National Picture" was often used. See more »

Soundtracks

Giving It This and That
(uncredited)
Written by George W. Meyer, Archie Gottler and Sidney D. Mitchell
Played during the opening credits
Performed by Alice White
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User Reviews

 
Alice White, a blond Betty Boop
22 July 2002 | by (Easley, SC) – See all my reviews

So few of Alice White's films have survived that it is especially delightful that such an entertaining star vehicle should pop up on home video. This pert, vivacious blond easily carries this film about love and gangsters. At a time when Ruth Chatterton earned her pay by rolling her "R"'s and making you wait for each word, Alice White stands out for her lack of hesitation. As "Goldie", she is caught "riding the rails" by a cop [Robert Elliot, who played ALL the WB/FN cops since Lights Of New York]. He need only ask one question and Goldie comes across with all the straight dope. So impressed is he by her veracity that he buys her a ticket. The plot is thusly advanced rapidly, and the film does its business in under an hour. David Manners is fine, but to see him really act try '31's The Miracle Worker. Director Cline includes a lot of rear projection and Alice does a fine song and dance which prefigures Busby Berkeley by 3 years. If you ever wondered who the Warner Brothers/First National diva was before Bette Davis, Sweet Mama will satisfy more than your curiosity.


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