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Sweet Kitty Bellairs (1930)

Passed  -  Musical | Romance  -  5 September 1930 (USA)
5.6
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Ratings: 5.6/10 from 49 users  
Reviews: 3 user | 3 critic

Kitty Bellairs, a flirtatious young woman of 18th Century England, cuts a swath of broken hearts and romantic conquests as she visits a resort with her sister.

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(a musical version of the stage play by), (and the novel by), 3 more credits »
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Title: Sweet Kitty Bellairs (1930)

Sweet Kitty Bellairs (1930) on IMDb 5.6/10

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Cast

Complete credited cast:
Ernest Torrence ...
Sir Jasper Standish
Perry Askam ...
Capt. O'Hara
...
Lord Varney
...
Julia
Claudia Dell ...
Sweet Kitty
Lionel Belmore ...
Colonel Villiers
Arthur Edmund Carewe ...
Capt. Spicer
Douglas Gerrard ...
Tom Stafford
Tom Ricketts ...
Rheumatic Old Man
Flora Finch ...
Gossip
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Storyline

Kitty Bellairs, a flirtatious young woman of 18th Century England, cuts a swath of broken hearts and romantic conquests as she visits a resort with her sister. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Genres:

Musical | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

5 September 1930 (USA)  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

A nitrate print of this film survives in the UCLA Film and Television Archives and is not listed for Preservation. See more »


Soundtracks

Pump Room Song
(1930) (uncredited)
Written by Walter O'Keefe and Robert Emmett Dolan (as Bobby Dolan)
Performed by Claudia Dell and chorus
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User Reviews

 
Altogether lavish, silly, trite and dull...
21 August 2010 | by (Fairfax, VA) – See all my reviews

Altogether lavish, silly, trite and dull...this is the sort of thing that is handled best by Sheridan, Congreve and later by Oscar Wilde. The script lacks the charm and wit of those masters to put it over. Without that it's only very dull trifle, looking good but tasting terrible. The opening chorus is overladen, cumbersome and sluggish like most of the music and acting. Labored and graceless.

On the plus side, the sets and costumes are lavish and great fun can be had in seeing a very young Walter Pidgeon in knee britches and periwig warbling his love song, Claudia Dell warbling hers, and then the two of them intertwining their separate songs in a resulting duet. For me, that was the high and sole enjoyable point of this unfortunate enterprise.


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