| Albert Préjean | ... | Albert, a young street singer | |
| Pola Illéry | ... | Pola, a Roumanian girl | |
| Edmond T. Gréville | ... | Louis, Albert's friend | |
| Bill Bocket | ... | Bill, The Big Boss | |
| Gaston Modot | ... | Fred, a purse thief | |
| rest of cast listed alphabetically: | |||
| Raymond Aimos | ... | Un gars du milieu | |
| Thomy Bourdelle | ... | François, the other thief | |
| Paul Ollivier | ... | Drunkard | |
| Jane Pierson | ... | Fat Woman with Purse | |
Directed by | |||
| René Clair | |||
Writing credits(in alphabetical order) | ||
| René Clair | ||
Original Music by | |||
| Raoul Moretti | |||
| Vincent Scotto | |||
Cinematography by | |||
| Georges Périnal | |||
| Georges Raulet | |||
Film Editing by | |||
| René Le Hénaff | |||
Art Direction by | |||
| Lazare Meerson | |||
Costume Design by | |||
| René Hubert | |||
Second Unit Director or Assistant Director | |||
| Georges Lacombe | .... | assistant director | |
Sound Department | |||
| W. Morhenn | .... | sound director | |
| Hermann Storr | .... | sound director | |
Music Department | |||
| Armand Bernard | .... | music arranger | |
| René Nazelles | .... | lyrics | |
| Bruce Sievier | .... | English lyrics | |
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| The Science of Sleep | The Mother and the Whore | The Crazy Stranger | Casque d'Or | Paris, je t'aime |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section |
This story follows the fortunes of Parisian petty street criminals, and, in particular, street busker Albert (Albert Prejean). He falls in love with Pola (Pola Illery) but things don't work out as he plans....
This is a good film despite being full of detestable characters. Albert's best friend steals his girlfriend and is quick to fight with him, and another colleague is a pick-pocket who is responsible for sending him to jail. Then there is Fred (Gaston Modot), a womanizing leader of a street gang. Fred is also involved with Pola and he remains a nasty piece of work throughout the film. However, worst of all is Pola - what a slag! She sleeps with everyone and seems to have no loyalty. She leads Albert on and doesn't let him score with her in his bedroom. She sends very mixed signals.
This bunch of no-gooders ensures that we sympathize with Albert and root for him throughout the film as he is the only character that shows us any decency. He is far too good to be mixed up in the life that he leads. The way that the film ends can only be seen as a blessing for him.
The film is half silent and the use of sound and silence is effective in each particular section, eg, the fight scene which also contains a funny moment - watch as Albert is offered a selection of knives for his fight with Fred. He inspects them all and rejects them all with an air of superiority before giving Fred a quick slap around the head and starting the fight. Even though the film is French and so the talking sections sound like "hongh-hi-hongh-hi-hongh", this is an entertaining film with some excellent camera shots and a catchy main song.