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Under the Roofs of Paris (1930)
"Sous les toits de Paris" (original title)

7.4
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Ratings: 7.4/10 from 1,276 users  
Reviews: 11 user | 20 critic

Albert is smitten for Pola but ends up wrongly committed in jail, in the meantime her affections are sort after by his friend, and on his release both love and friendship must be tested.

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Cast

Complete credited cast:
Albert Préjean ...
Albert
Pola Illéry ...
Pola
Edmond T. Gréville ...
Louis
Bill Bocket ...
Emile, le voleur
Paul Ollivier ...
Un client du café
Gaston Modot ...
Fred, le dur
Raymond Aimos ...
Un gars du milieu
Thomy Bourdelle ...
François
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Storyline

While singing in a lower class quarter in Paris, the street singer Albert falls in love with the Romanian party girl Pola, who is the companion of the gangster Fred. One night, Albert meets with Pola, who has just found that Fred had stolen her key, and his friend Louis proposes to toss to date her. However, Albert brings her to his room and they spend the night together, with Albert sleeping on the floor and Pola on his bed. Early in the morning, the pickpocket Émile brings a bag with stolen pieces and asks Albert to keep the bag for him. When the police busts Albert's room and finds the stolen goods, he is arrested and sent to jail. Meanwhile Fred travels and Pola seeks comfort with Louis, and they stay together. When Émile is arrested by the police, he confesses that Albert is innocent and he is released and seeks out Pola. Meanwhile Fred returns to Paris and also seeks out Pola that is with Louis. The three men that are under the spell of the gorgeous lady dispute her love and ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

Not Rated
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Details

Country:

Language:

|

Release Date:

2 January 1930 (USA)  »

Also Known As:

Bajo los techos de París  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Tobis Klangfilm)|

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

The opening sequence and the street scenes etc are done in a purposely built studio. See more »

Quotes

Albert, a young street singer: [On seeing Pola bedding down on his bedroom floor] Okay, take the bed, I'll sleep on the floor.
See more »


Soundtracks

Sous les toits de Paris
(In Paris sind die Maedels so Suess)
Music by Raoul Moretti
Lyrics by René Nazelles
Performed by Albert Préjean and Leo Monosson
See more »

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User Reviews

 
It's hard to describe how beautiful and perfect this movie is
6 March 2003 | by (Saint Paul, MN) – See all my reviews

René Clair's early sound films are amongst the best ever made. Le Million (1931), Quatorze Juillet (1933), and Under the Roofs of Paris (1930) are masterpieces of musical comedy and romance (I leave out perhaps his most famous, À nous la liberté, which I need to see again). Under the Roofs of Paris is the loose but good story of a young street singer (Albert Préjean) who falls in love with a girl (Pola Illéry). He has an uneasy relationship with a couple of pickpockets (including Gaston Modot, who also made L'Âge d'or with Buñuel the same year) who like to work when he's demonstrating his talent. In the film's opening scene, there is an amazingly edited sequence of one of these men at work. Everyone wants Pola, including Albert's best friend, Louis, and when Albert is framed for burglary, they don't think twice about going after her. Clair's direction moves like silk. It's so supple. The camera movements, full of crane shots and pans, is technically stunning, especially for the time but even now. And the use of sound is absolutely revolutionary. It's more or less half silent, half talkie. Unlike many early sound films, Clair keeps the dialogue to a minimum, so it's never clunky. Characters only speak when they have to; at other times, they gesture. The film is often described as a musical, but it is not. There are two songs, and the music arises diagetically from an accordion player. The music, and the use of music, are quite amazing. This is one of the most wonderful movies ever made.


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