In the beginning of the industrial revolution, the Paris Commune was established in 1871 against the rich and the powerful, and violently repressed by the army that remained faithful to a ... See full summary »
Marie wants to escape from her job and also from her lover, Paul, an unemployed drunk. She dreams of going off with Jean, a dockworker. The two men quarrel and fight over Marie on two ... See full summary »
Zvenigora stars Nikolai Nademsky (Earth), as the grandfather of Timoshka (Semyon Svashenko), whom he alerts to secret treasure buried in the mountains and the boy spends the rest of his ... See full synopsis »
A peasant comes to St. Petersburg to find work. He unwittingly helps in the arrest of an old village friend who is now a labor leader. The unemployed peasant is also arrested and sent to ... See full summary »
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.
Six young men from the city take jobs on a road crew, building a highway of strategic importance to the Chinese Army. The story relates the men's interactions with each other, the local ... See full summary »
The first sound film of Dziga Vertov, this is a tribute to the first Soviet 5 year plan, opening with the forcible transformation of churches to social and political clubs, filming work in the coal mines of the Donbass region in eastern Ukraine, capturing the sights and sounds of steel and locomotive works, and finishing with some scenes of harvests in the Ukraine countryside. Most of the focus is on work and the potential glories of the new Soviet citizens who promise to exceed the quotas of the five year plan. This is a marvel mostly because of Vertov's mastery of the early sound technology which required cameras that weighed over a ton. With speeches and inter-titles shifting between Ukrainian and Russian, there is no narrative, no actors, no script and only some visual references to Eisenstein's fictional works. It is easy to see why this film was more praised outside of the Soviet Union than inside and why so few of the workers filmed had any interest in watching it.
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