In London, a secret society led by lawyer Thaddeus Merrydew collects the assets of any of its deceased members and divides them among the remaining members. Society members start dropping ... See full summary »
A wealthy London nobleman hires a pretty but poor young girl to distract his playboy son from marrying a golddigger. Complications ensue when the girl and the father begin to fall for each ... See full summary »
Prominent attorney Brad Mason takes on the defense of Rudi Walchek, a young hit-man hoodlum accused of murder. Convinced of the youthful thug's innocence, Mason get him acquitted. Later, he... See full summary »
Unable to find open range near Hollywood, western actor Tom Baxter and his troop head to Judy Blake's ranch to shoot their film. Tom soon learns her foreman has been rustling and poisoning ... See full summary »
Mary Bancroft (Elsie Ferguson), a brilliant defense lawyer who chose a profession over motherhood, is hired to defend Nora Mason (Marian Nixon), whom she has never met, on a murder charge. During the proceedings of the trail, Mary discovers that Nora is her own daughter that she had given up as a baby. Written by
Les Adams <email@example.com>
is a stagy and unconvincing melodrama about an unwed mother, a sleazy murder, and (of course) redemption. Elsie Ferguson isn't bad though as the lawyer who learns a terrible secret while defending a showgirl of murder. The rest of the cast, however IS pretty bad: Marian Nixon, Grant Withers, John Halliday, etc. go through their paces without much to offer. Ferguson had been a big silent star playing upper-crust ladies in "weepies." This film was an attempt to revive her career (after 5 years), but it was just too late. Her speaking voice is fine, but the new medium of "talkies" and the new Depression-era sensibility made it clear it was time for Elsie Ferguson to retire from the screen.
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