A pretty dance hall girl is looking for the right guy.

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Cast

Complete credited cast:
...
Helen Leslie
...
Jack (as Donn Cook)
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Storyline

Helen is a taxi dancer at Roseland, a Manhattan club. That night she plans to enter a singing contest Roseland is hosting on the radio. Her dad, a servant at a household where her boyfriend is the chauffeur, has been ill, so she stops by to see him where he works. While there, she sits with her beau in the back seat of the town car and drops her Roseland ID card, which Jack, the heir to the family fortune, finds on his way to town for the evening. He goes slumming at the Roseland to return the ID. He likes Helen at first sight, setting up a choice Helen may have to make between the wealthy Jack and the chauffeur. With that choice on her mind, she enters the contest. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Short | Musical

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Details

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Release Date:

September 1930 (USA)  »

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Sound Mix:

(Vitaphone)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This film short is available as an extra in the Warner DVD of Love Me or Leave Me (1955). See more »

Quotes

Gertie: Oh, I just gotta see you Marty.
Marty: Hey, listen, why don't you lay off of me.
Gertie: Now, now don't talk to me like that. You know you're the only one!
Marty: Aw, quite handin' me that stuff. You and me is washed up.
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Connections

References Disraeli (1929) See more »

Soundtracks

Mysterious Mose
(uncredited)
Written by Walter Doyle
Played by the orchestra after "Dancing with Tears in My Eyes"
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User Reviews

 
Ruth Etting Sings Her Way To Easy Street
13 July 2002 | by (Forest Ranch, CA) – See all my reviews

A VITAPHONE VARIETIES Short Subject.

A Millionaire romances his chauffeur's sweetheart at the ROSELAND Ballroom.

This is one of a long series of musical shorts which Ruth Etting, popular songstress of the day, appeared in during the early 1930's. It is competently produced and allows Miss Etting to sing a couple of tunes, including the Jolson favorite, ‘Let Me Sing And I'm Happy' by Irving Berlin.

Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.


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