Sgt. Conniston and his alcoholic guide O'Toole are on the trail of an escaped murderer named Keith. When they catch up with him in the farthest reaches of Northern Canada, Keith turns out ... See full summary »
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Sgt. Conniston and his alcoholic guide O'Toole are on the trail of an escaped murderer named Keith. When they catch up with him in the farthest reaches of Northern Canada, Keith turns out to be a dead ringer for Conniston. On the way back, the sled overturns, Keith grabs the gun and leaves them to die in the snow. After second thoughts he comes back and brings them to safety at an RCMP emergency cabin. Conniston dies of a frozen lung. O'Toole becomes convinced of Keith's innocence and refuses to take him in. Instead he helps Keith disguise himself as Conniston to escape. Before he can do so, he is spotted by Mounties looking for Conniston and brought back to Conniston's fort. During the time Conniston was gone, it was discovered that Keith was innocent of the charges. Still Keith can't reveal his true identity for fear the Mounties will think he killed Conniston. Keith plans to keep up the charade only long enough to escape but Miriam, who Conniston had unsuccessfully pursued, is ... Written by
Brian Cady <firstname.lastname@example.org>
In the ship's cabin, when both of Bickford's characters are smoking a pipe and playing cards on the opposite sides of the same table, the pipe smoke is cut off when it crosses the edge of the film where the two sides are spliced together. Likewise, when the cards are dealt, there is a delay between them being dealt and arriving on the other side of the table. It's obvious the two scenes were shot separately and spliced together. See more »
You can enjoy Charles Bickford in a rare (dual) leading role and watch Michael Curtiz learning to master talkies in this rugged melodrama, an improbability about a Mountie who gets his man and lives, though not for long, to regret it. Unusual for this period, it has refreshingly ambiguous morality -- the Mountie, outwardly such a mensch, turns out to have an interesting secret, and the bad guy turns out to be not bad at all. Add to that an appealing supporting cast, with vivacious, pretty Evalyn Knapp (she looks a little like Joan Blondell around the same time) and the excellent Junior Coughlan, a comparatively subtle kid actor who doesn't overdo cute, like Freddie Bartholomew, or grate the ears, like Jackie Cooper. Some of the art direction is forcedly unreal, almost Expressionist, and the ending's abrupt and unconvincing. But the snowy exteriors are vivid and believable, and Bickford's good enough to leave you wondering why he didn't attain leading-man status for a longer period.
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