After her father's death, Mary Rainey takes over the Rainey Circus (which operates twice daily, rain or shine) but runs into financial troubles. In one bit reminiscent of the Marx Brothers,... See full summary »
A rock star-turned-bum, his vocal chords severed at the height of his career for the love of a woman, reclaims his forgotten past after viewing a music video and seeks revenge against the mobster who maimed him.
Documentary short film produced by the U.S. Army, intended to enlighten the American public on the final thrust of the Allied war effort in Europe and on the plans for the return home of American forces.
After her father's death, Mary Rainey takes over the Rainey Circus (which operates twice daily, rain or shine) but runs into financial troubles. In one bit reminiscent of the Marx Brothers, the circus performers are up to some ridiculous antics at a dinner party with the family of Bud Conway, Mary's beau. As times become worse and the performers go on strike, Mary must try to save the circus from rioting patrons. Written by
I think previous commentators have missed the boat on this. The film is a matter of the director overcoming the star. Joe Cook's shtick wears thin. His first encounter with the store owner is droll, but a series of non-sequiters do not make a comedy. Capra's direction is brilliant. (Spolier:) Obviously, the elephant pushing the fat lady is a tour de force, and the riot and fire at the climax are spectacular, but notice his great tracking shots. The camera follows characters as they saunter through the circus. What was worth seeing and preserving here is not Cook's quaint act, but the way of life of the circus, a "Water for Elephants" scene.
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