A poor but basically honest flower woman agrees to impersonate a wicked opera star.

Director:

(as Geo. Fitzmaurice)

Writers:

(story), (adaptation)
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Cast

Complete credited cast:
Evelyn Laye ...
Lilli
...
Count Mirko Tibor
Leon Errol ...
Otto
...
Fritzi Vajos
Hugh Cameron ...
Janos
Henry Kolker ...
Prefect of Police
Marion Lord ...
Liska
...
Almady, the Officer
Lionel Belmore ...
Baron Zagon
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Storyline

A poor but basically honest flower woman agrees to impersonate a wicked opera star.

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

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Details

Country:

Language:

Release Date:

14 January 1931 (USA)  »

Also Known As:

Escapade  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Goofs

At 1:15 in, when the Count and the real Fritzi are talking on the balcony, the giant stone planter jumps back and forth - sometimes its in front of him, sometimes its behind him. See more »

Soundtracks

One Heavenly Night
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Sung by Evelyn Laye and John Boles
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User Reviews

 
Commoner meets royalty - wonder how will it turn out..
14 November 2008 | by (southwest US) – See all my reviews

The problem with One Heavenly Night is that it tries too hard to be a little of everything, and can't make up its mind what it wants to be. We have the coy, demure Evelyn Laye as Lilli and the tall, dark, and dashing Count Tibor (John Boles) chasing each other around in a mansion, and out in the rain (although Lilli's hair and dress don't seem to get very wet after running through the pouring rain...) Lilli pretends to be Fritzi, a famous entertainer. Then, for a time, its also a comedy with Leon Errol as Otto, who gets drunk and silly with the Count's house manager, as they discuss the wine room and drinkies. These routines scattered about really slow the movie down. Then Lilli and the Count do a GREAT job singing to each other, in Jeanette MacDonald, Nelson Eddy operatic style. This 1931 Goldwyn production is made just before the Hays movie code came riding in, and TCM showed it at midnight, just in case. There are some suggestive songs, but no blatantly improper scenes which were so common in movies made at this time. Surprisingly good quality sound and photography. The plot is a little hit or miss, but not a bad way to spend 80 minutes. No surprises in this one...


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