Claire Tree is a singer/dancer who goes after what she wants in a straight-forward, no-nonsense manner, so when she finds herself in the New York City hotel-suite, in fashionable Peacock ... See full summary »
Dowdy Sylvia accepts her boss' marriage proposal, even though he only asked her to avoid marriage to another woman. As a wealthy wife, Sylvia changes from ugly duckling to uninhibited swan ... See full summary »
Rollo and Lane just happen to be tossed off the train at White Beach where Robert Story -Air ace and writer- is supposed to stop. It is a case of mistaken identity as no one knows what ... See full summary »
A reporter runs into a pretty young girl who has inherited her father's failing business. She wants to give it up, but he tries to convince her to make a go of it, mainly because he's in love with her.
A woman who owns a boarding house winds up being the "mother hen" to the assorted mobsters and racketeers who live there. When her foster son decides to take the blame for a murder that was... See full summary »
John Francis Dillon
Douglas Fairbanks Jr.,
Claire Tree is a singer/dancer who goes after what she wants in a straight-forward, no-nonsense manner, so when she finds herself in the New York City hotel-suite, in fashionable Peacock Alley, of Stoddard Channing, she wastes no time. Claire wants to get married. But, Stoddard, whom she cares for very much, has several proposals directed at her, none of which sound remotely like a marriage proposal; Claire tells him, in her straight-forward, no-nonsense manner that she wants to get married because, in her words: "I'm running away from the doubts and uncertainty and problems of a woman who isn't married." Stoddard thinks that nuptial bonds is a stupid old-fashioned tradition and fatal to romance. She says any man who says that is lying, and when she departs his suite at the crack of dawn, she seems convinced Stoddard indeed believes what he said he believed. But Claire has another option awaiting her...a Texan from home, and she promptly accepts his marriage proposal. But the house ... Written by
Les Adams <email@example.com>
Completed in the fall of 1929, and copyrighted in November 1929, the film was not released until 1930; it was never reviewed in either weekly Variety or the New York Times, indicating that it never had a New York City opening. See more »
Not surprisingly, Mae Murray tried to sue Tiffany Studios for nearly $2 million!
"Peacock Alley" is just plain awful. True, the DVD under review is missing its ten-minutes Technicolor sequence in which Mae Murray moves her lips to a voice dubber's rendition of "In My Dreams, You Still Belong To Me", but frankly not even Al Jolson could save this absolutely dreadful non-movie in which the characters just stand around and declaim gosh-awful dialogue for what seems like two hours. As to who give the worst performance? That's easy. Mae Murray. As to who is the most unflatteringly photo-graphed heroine in movie history? That's easy. Mae Murray. Who wears the worst make-up, the worst clothes, the worst hair style? Mae Murray. In fact, very sad to say, Mae Murray looks a total wreck, and as an actress she's a total write-off. True, her co-star, George Barraud, runs Mae close in the bad acting stakes. He seems to be under the delusion that he's on a stage rather than a film set. Maybe Marcel De Sano, fresh from directing Charles Boyer and Huguette Duflos in the French version of "The Trial of Mary Dugan" (1929) at M-G-M, had a limited command of English? In any case, this movie helped to put paid to Mae Murray's career. She had a good role in Lowell Sherman's "Bachelor Apartment" (1931) and then co-starred opposite him in "High Stakes" (also 1931). That was the end of her acting career. In 1949, she re-emerged as a producer in England with "Dick Barton Strikes Back", followed by "Come Dance with Me" and "Shadow of the Past" (both 1950).
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