Jay Rountree, son of a wealthy manufacturer and young, rising businessman, gets caught up in a web involving an escort service or 'party girls.' While eluding the wily Diana Holster, the ... See full summary »
Claire Tree is a singer/dancer who goes after what she wants in a straight-forward, no-nonsense manner, so when she finds herself in the New York City hotel-suite, in fashionable Peacock ... See full summary »
Marcel De Sano
Jason Robards Sr.
Dowdy Sylvia accepts her boss' marriage proposal, even though he only asked her to avoid marriage to another woman. As a wealthy wife, Sylvia changes from ugly duckling to uninhibited swan ... See full summary »
Blue collar steelworker Richard Brunton (McCrea) saves two of his fellow workers after an accident at a factory. In gratitude, his boss, millionaire Arthur Parker invites Richard for dinner... See full summary »
Clara Kimball Young,
A lonely husband, whose wife has been away, hires a look-a-like impersonator to fill his place and fool his mother-in-law while he plays around with a pretty coquette. His wife returns that night and confusion prevails.
Edward Everett Horton,
Laura La Plante
Alice Kendall is the darling of her social set, the sons and daughters of millionaires, although Alice's mother has impoverished herself to provide Alice with the luxuries she expects as ... See full summary »
Jerry Stafford, a businessman, is in love with his secretary but she deserts him for another man. When she realizes her mistake, she goes back to him. Doris Brown is her girlfriend who is in love with a man named Monty Dunn.
Wealthy playboy Sandy Benton falls for pretty but decidedly less wealthy neighbor Doris Lawrence. She rebuffs his attentions, but scheming golddigger Estelle has her own plans for Sandy. ... See full summary »
Jay Rountree, son of a wealthy manufacturer and young, rising businessman, gets caught up in a web involving an escort service or 'party girls.' While eluding the wily Diana Holster, the self-proclaimed Queen of the Party Girls, he manages to get trapped in a web spun by Leeda Cather and her supposed mother and, much to his consternation and to the surprise of his fiancée, Jay soon finds himself an unhappily married man. And, as events would show, Diana isn't all that happy, herself. Written by
Les Adams <email@example.com>
The film holds the record for the longest transfer from banned status to original release in UK history. It was rejected for cinema in 1930 by the BBFC and remained unreleased until 2003 when it was passed with a PG rating. See more »
Douglas Fairbanks jr had already been in the movie business for 14 years when he made this film, despite being a youthful 21 years old. Although he would go on to become one of the more delightful actors of the '30s and '40s, he shows little promise of that here, nor any sign of talent acquired during his previous 25 films.
A prologue announces the virtuous intention of depicting a moral scourge so that an informed public can combat it--but this is clearly just a CYA that allows the intriguingly-named "Personality Pictures" company to run this cheesy exploitation flick past the already toothless production code office.
Maude Lindsay (Almeda Fowler) runs a "party girl" service for business functions, and she tries to send her hootchiest coochies to the United Glass soiree. (The only real humor in the entire film comes from her secretary continually addressing her as "Madame Lindsay," and Lindsay admonishing her, "Don't call me madam!") John Rountree is an upright business man who wants to work with the district attorney to eliminate the party girl influence on doing business; his son Jay (Fairbanks) is a ne'er-do-wheel frat boy in love with dad's secretary, Ellen (Jeanette Loff)--a girl with a secret.
Jay and his frat brothers crash the United Glass party, and a drunken Jay is trapped by a party girl, herself in a delicate situation.
The usual confusion ensues.
As the previous commenter notes, the sound quality is abysmal, but it may be just as well--the dialogue is no great shakes. There are certain scenes painful in their laughableness, especially the death scene of a tender young thing who's fallen 6 stories, and yet appears not to have a scratch on her.
It's a dreadful film, and not even dreadful in that delicious "so bad it's good" sort of way.
4 of 9 people found this review helpful.
Was this review helpful to you?