Jay Rountree, son of a wealthy manufacturer and young, rising businessman, gets caught up in a web involving an escort service or 'party girls.' While eluding the wily Diana Holster, the ...
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Jason Robards Sr.
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Party Girl follows a twentysomething Schwartz, as she navigates adulthood while working with a band of quirky co-workers at a Los Angeles party company that specializes in themed birthdays. Loosely based on her real life experiences.
Jay Rountree, son of a wealthy manufacturer and young, rising businessman, gets caught up in a web involving an escort service or 'party girls.' While eluding the wily Diana Holster, the self-proclaimed Queen of the Party Girls, he manages to get trapped in a web spun by Leeda Cather and her supposed mother and, much to his consternation and to the surprise of his fiancée, Jay soon finds himself an unhappily married man. And, as events would show, Diana isn't all that happy, herself. Written by
Les Adams <email@example.com>
The film holds the record for the longest transfer from banned status to original release in UK history. It was rejected for cinema in 1930 by the BBFC and remained unreleased until 2003 when it was passed with a PG rating. See more »
This tight little programmer (clocking in at just over 1 hour) is a real curio, Pre-Code of course. The film is designed to 'expose' the sordid underbelly of escort services who are only too happy to entertain men in high places(quite literally in this flick) for a fee. Like most movies of this genre, we are treated to a written prologue attesting to the scourge of the subject matter and how these sordid goings-on could be happening in our own town. This frequent framing device at the time would justify the seedy plot, in this case depicting between men of prestige and prosperity with call girls.
Marie Prevost is hot to trot in a secondary role as one of the 'ladies in waiting.' Miss Prevost did make the transition to sound almost seamlessly as an appealing blend between Betty Boop and Clara Bow. Yet, her fluctuating weight would unfortunately relegate her casting to this caliber of portrayals for the rest of her career.
Judith Barrie is the lead 'party girl' here who leads Douglas Fairbanks Jr. character, scion to millions of dollars, down that reckless road to potential ruin. Miss Barrie handles her role with zest and a very contemporary feel. It's a shame she would abandon Hollywood (or vice versa) in two years.
Then there's Doug Fairbanks Jr. who always adds a note of prestige to any frame he appears in. On the threshold of stardom ('LITTLE CAESAR' would be beckoning soon) the swashbuckler's son is treating this role of a young bon vivant who is caught up in Miss Barrie's web of deceit and degradation like a walk in the park. Well, this is a Personality Pictures production, after all. This would be equivalent to summer stock for an A list actor waiting for that phone call from his agent with that really plum role at a 'major' studio.
Of course, there is an obvious moral to our story which is hastened after an on screen tragedy which is quite jolting.
Yet, when the lights come back on, it's still hard to forget those vehicles, packed with eager customers, transported by elevator directly to the 'party girls' living room, the ultimate drive-in escort service.
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