Mary Turner goes up for three years on a crime she didn't commit. Once out she and former prison mates plan a scam in which old men can be sued for breach of promise - the "heart balm" ... See full summary »
A young woman is on trial for murder. In flashback, we learn of her struggles to overcome poverty as a teenager -- a mistaken arrest and prison term for shoplifting and lack of employment ... See full summary »
After accidentally killing the man who raped her and forced her into prostitution, a New Orleans woman flees to a Caribbean island. While she awaits her fiancé, the vicious local police chief sets his sights on her.
William A. Wellman
Lil works for the Legendre Company and causes Bill to divorce Irene and marry her. She has an affair with businessman Gaerste and uses him to force society to pay attention to her. She has ... See full summary »
A wealthy but neurotic Southern belle finds herself trapped in the hideout of a gang of vicious bootleggers. The gang's leader lusts after her, and is determined not to let anything stand in the way of his having her.
Jack La Rue
Harry and Inez are a dance team at the Wonder Bar. Inez loves Harry, but he is in love with Liane, the wife of a wealthy business man. Al Wonder and the conductor/singer Tommy are in love ... See full summary »
Mary Turner goes up for three years on a crime she didn't commit. Once out she and former prison mates plan a scam in which old men can be sued for breach of promise - the "heart balm" racket. After plotting verious ways to get back at the men who set her up initially, she softens and settles down. Written by
Ed Stephan <firstname.lastname@example.org>
Crawford shines on her first serious dramatic role
Paid (1930) stars Joan Crawford, Robert Armstrong, and Marie Prevost, and was directed by Sam Wood. This was really the first serious dramatic role that Crawford received where she could really show her acting abilities. Crawford received the lead role when Norma Shearer, who was originally given the lead part, backed out due to her pregnancy. In stepped Crawford, who is outstanding as Mary Turner, a young woman who's convicted of a crime she didn't commit. She spends three years in prison as a result. Hardened by prison life, she makes plans for what she's going to do when she gets out, which is to get revenge on the person who sent her to prison. Crawford's performance is raw and gritty. That's all I want to say. Watch it to see how everything unfolds. This is a pre-Code film, so there are some things in it that aren't censored that normally would be if it would have been made after the Code was enacted. I think the Code was the worst thing Hollywood ever did.
This is an early talkie, so it has the feel of a stage play much of the time. Noticeably absent as well is a musical score, though it does have music in the opening and closing credits. This is how movies were done back in the late 1920s and early 1930s - music at the start, no music in the movie itself, then music at the end. This is an old movie, having come out in 1930, so there are a lot of "pops" and hiss throughout. Quite often the film is somewhat "wobbly" and "shaky" as well, with lots of scratches and dust. I love this. I love old movies that aren't in pristine condition, instead they're raw and full of imperfections. I do feel, however, that the movie is in good shape considering how old it is.
Paid pays off. Highly recommended.
3 of 3 people found this review helpful.
Was this review helpful to you?