Steve O'Neil robs the stage and kidnaps Nita to keep Lopez from doing the same. Then he and Buckshot head for Lopez's hideout for a showdown. The townspeople head after them not knowing ... See full summary »
Tex is sent to investigate miners being killed and their mines confiscated. The culprit is Evans and after Tex joins the gang, he is sent to kill two more miners. When Estaban is killed, Tex is put on trial for all three murders.
Lambert has the stagecoach wrecked killing the Commissioner so his phony replacement can alter Coonskin's land survey. When Red Ryder exposes the survey hoax, Lambert has his stooge Sheriff put Red in jail.
Having helped his father escape the law, Jim Curtis heads north with the Marshal chasing him. He and his pal Snicker elude the Marshall by changing clothes with two actors. Now forced to do... See full summary »
Jimmy Henderson is looking for his missing father. Suspecting McKim, he joins his gang posing as the outlaw the Oklahoma Cyclone. The gang members take a dislike to him except for Slim who becomes his friend, a friend he will need when the showdown begins. Written by
Maurice VanAuken <email@example.com>
Watching The Oklahoma Cyclone, it becomes apparent that the producers knew little about making a sound picture and just dove in head first. While their intentions are quite admirable, the finished product is not.
The film's nearly all talk, with several songs and musical interludes, but hardly any action. Most of the actors, apparently unused to the sound medium, are very stilted, speaking very slow and very clear, particularly Charles King. Meanwhile, the Spanish accented actors are barely intelligible.
I do wonder though, how well this played to audiences in 1930, not used to talking pictures.
On the plus side, star Bob Steele appears to be singing his own songs and leading lady Rita Rey is very beautiful, even if I cannot understand a word she says!
This is the first full-length western featuring iconic sidekick Al "Fuzzy" St. John. Even at this early date he manages to steal an early scene, even without the benefit of dialog, as he stands to the side and spits long streams of tobacco juice past the other actors as they speak!
One frame has St. John almost entirely off-screen, but closest to the camera, launching a stream of spit that arcs across the picture like a half rainbow, landing right in the bottom-center of the screen, distracting the audience from the other actors!
Eight years later, Steele and St. John would be back together, often with King as the heavy, in Producers Releasing Corporation's series of Billy the kid films.
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