New Moon is the name of the ship crossing the Caspian Sea. A young Lt. Petroff meets the Princess Tanya and they have a ship board romance. Upon arriving at the port of Krasnov, Petroff ... See full summary »
New Moon is the name of the ship crossing the Caspian Sea. A young Lt. Petroff meets the Princess Tanya and they have a ship board romance. Upon arriving at the port of Krasnov, Petroff learns that Tanya is engaged to the old Governor Brusiloff. Petroff, disillusioned, crashes the ball to talk with Tanya. Found by Brusiloff, they invent a story about her lost bracelet. To reward him, and remove him, Brusiloff sends Petroff to the remote, and deadly, Fort Darvaz. Soon, the big battle against overwhelming odds will begin. Written by
Tony Fontana <firstname.lastname@example.org>
The operetta, "The New Moon," opened on Broadway in New York City, New York, USA on 19 September 1928 and closed on 14 December 1929 after 509 performances. The leads were played by Robert Halliday and Evelyn Herbert, and the supporting cast included Gus Shy, who is also in this movie. See more »
The credits list "New Moon" as the title of the original operetta, but its title was "The New Moon". See more »
There is no escape from the overt silliness in this stage operetta slapped together by director Jack Conway featuring the magnificent voices of Met opera stars Lawrence Tibbet and Grace Moore. The acting is stiff and the the plot inane but it is easy to forgive when one or both launch into song.
Michael Petrov, a Russian officer with a roving eye falls for Princess Strogoff on board The New Moon. She reciprocates but withholds the fact she is engaged to his commanding officer (Adolph Menjou) who sensing the spark between the two sends Petrov off to command a fort on the frontier where the soldiers have a habit of murdering commanding officers. He establishes order by shooting a few malcontents but soon finds the outpost surrounded and grossly outnumbered by the enemy. As tensions mount the princess comes roaring up in a Stutz Bearcat to the front gate to find some closure with Petrov. Like I said, quite silly.
Pre-dating the more famous singing sweethearts Nelson Eddy and Jeanette McDonald Tibbet and Moore are their vocal equals and then some. With finer production values, technical improvements, better chemistry and the fact that McDonald was a fine actress, the others just superb singers, everything about New Moon is inferior, but watching the pair sing Wanting You and Lover Come Back to Me is solid gold. It nearly makes up for the ridiculous plot and execution of the film which can be remedied in some way by embracing its unintentional humor.
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