A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
The police find the actress, Diana Baring, near the body of her friend. All the circumstantial proofs seems to point to her and, at the end of the trial, she is condemned. Sir John Menier, a jury member, suspects Diana's boyfriend, who works as an acrobat wearing a dresses. Written by
Claudio Sandrini <firstname.lastname@example.org>
The scene where Sir John thinks out loud in front of a mirror had to be filmed with a recording of the lines and a thirty piece orchestra hidden behind the set as it was not possible to post-dub the soundtrack later. See more »
At the very end of the scene that the half-caste (Fane) meets Sir John in his office, Sir John can be seen to be saying lines that cannot be heard. The scene fades as his mouth is moving. See more »
People ought to be ashamed of themselves, kicking up all that racket at this time of night.
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Early Hitchcocks are all worth seeing to observe how the Master's style evolved over the years. This story, based on a Clemence Dane book, is interesting, if only for the sub-texts flowing through it. The dialogue comes in fits and starts, which is common in the early sound films and some of the camera work is rudimentary.....but you can still spot the Hitchcock touch in the nuances of some of the scenes. Herbert Marshall is especially dashing as Sir John; he was a particularly attractive actor in his early years. Nora Baring is servicable as the accused but it is Esme Percy, as Fain, who is intriguing. As a "half-caste", originally written by Dane as gay, he is either overacting like hell or is fascinating in his interpretation....there is a fine line. Regardless, he holds your attention when he is on the screen. The film moves slowlllllllly, very slowlllllly.....but for Hitchcock and early talkie buffs, it is well worth it. Catch Una O'Conner in her younger years as the landlady. She's a treat.
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