A widowed mother must struggle to raise her four children. She insists that the youngest of them, who turns out to be a gifted architect, must leave the family in order to save his career and to avoid a scandal.
Having raised four children alone, widow Mary Williams still manages to love her eldest son, vicious and sadistic Danny Williams, who has led a life of crime and now returns to inflict his insane behavior on the family household. Written by
Doug Sederberg <firstname.lastname@example.org>
Boris Karloff is listed by modern sources for the role of "Murder victim" in this movie, but he was not seen in the viewed print on the Turner Classic Movies channel. In the extant version, no murder is even committed. See more »
Daisy Bell (A Bicycle Built For Two)
Music and Lyrics by Harry Dacre
Played on a harmonica by an unidentified man and sung by riders on a horse-drawn streetcar See more »
This family weepie takes full advantage of the static, austere feel of genre filmmaking in the early sound years. In no way exceptional, even for 1930, "Mother's Cry" and its actors nonetheless do the job, despite some talky speechifying and a particularly tacked-on ending. Edward Woods (not the 50s schlock director, although they share a fondness for heavy eyeliner) plays eldest brother Danny Williams, gangster in the making and prime mover of the plot. With his insane mugging, canned "I'll-say-she-isms" and tight-vested jazzbo suit, he's a regulation foot soldier in the Vitaphone crim army. Woods is better, and better remembered, as sidekick to Jimmy Cagney in "The Public Enemy," made the following year. The family home, where the camera stands as still as the 1900 furniture, offers a bit of subtext for dedicated pre-Coders. Silver-haired Ma Williams clucks and gushes in expected manner over budding architect Artie (beta-male lead David Manners) and baby sister Beattie (the exquisitely fragile Helen Chandler). These two cuddle, kiss and coo in a way not at all appropriate for siblings. Meanwhile, older sister Jennie marries much older Karl, whose only role is to add German (Yiddish?) comedy relief and father cuddly twin babies. Danny's crimes eventually strike closer to home than we expect, as he falls victim to an appalling failure of judgment. Here, near the end, occurs some real heart-tugging drama. The ultimate happy ending isn't worthy of that pre-climax (to give you an idea, it implies Artie has designed the Chrysler Building, which changes appearance three times in one short sequence).
2 of 3 people found this review helpful.
Was this review helpful to you?