7.0/10
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Monte Carlo (1930)

Passed | | Comedy, Musical, Romance | 27 August 1930 (USA)
Minutes before her wedding to Duke Otto Von Seibenheim, Countess Helene Mara flees, on a whim, to Monte Carlo, where she hopes her luck will save her poor financial state. There, Count ... See full summary »

Director:

Writers:

(adaptation), (play) | 3 more credits »
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Cast

Complete credited cast:
...
Count Rudolph Farriere
...
Countess Helene Mara
...
Duke Otto von Liebenheim
...
Bertha
Tyler Brooke ...
Armand
...
Paul
...
Prince Gustav von Liebenheim
Albert Conti ...
Master of Ceremonies
Helen Garden ...
Lady Mary
Donald Novis ...
Monsieur Beaucaire
Erik Bey ...
Lord Winderset
David Percy ...
Herald
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Storyline

Minutes before her wedding to Duke Otto Von Seibenheim, Countess Helene Mara flees, on a whim, to Monte Carlo, where she hopes her luck will save her poor financial state. There, Count Rudolph Farriere is taken by her beauty, but she rebuffs him, not even looking at him. Assuming the guise of a hairdresser, he finally succeeds in seeing her, night and morning. Sparks fly, and love ensues - but can she love a lowly hairdresser? As her finances worsen though, the Duke arrives, and his money and social status seem even more enticing. Shunning Rudolph, will her story follow the operatic "unhappy ending", or can she have it all? Written by Rick

Plot Summary | Add Synopsis

Taglines:

Intimate details on the gay goings-on in the world's pleasure capitol. With the girl who won the man who broke the bank at Monte Carlo. (print ad- Evening News, Tonawanda, N. Y. 4 February 1931) See more »


Certificate:

Passed
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Details

Country:

Language:

|

Release Date:

27 August 1930 (USA)  »

Also Known As:

Monte Karlo  »

Box Office

Budget:

$726,465 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

A silent version was produced for theaters not yet equipped for sound films. This version runs 20 minutes shorter than the sound version. The silent version was long thought lost until 1968. Historian and film preservationist David Shepard donated a copy, along with many other Paramount titles on nitrate film, to the American Film Institute. See more »

Goofs

Jeanette MacDonald is referred to as a blonde early on in the dialogue. She was actually a redhead, and no attempt was made to lighten her hair to make her look blonde. Her hair photographed the dark grey red hair usually reproduced as on the black-and-white film used in 1930. See more »

Quotes

Prince Otto Von Seibenheim: I am glad that your hairdresser...
Countess Helene Mara: Please don't mention him. I don't wanna hear another word about hair or hairdresser. What's the opera about?... I asked you what the opera is about?
Prince Otto Von Seibenheim: It's er... all about a hairdresser but I... I can't help it. I didn't write it.
See more »

Connections

Referenced in Hollywood Hist-o-Rama: Jeanette MacDonald (1962) See more »

Soundtracks

Trimmin' the Women
(uncredited)
Music by Richard A. Whiting and W. Franke Harling
Lyrics by Leo Robin
Sung by Jack Buchanan, John Roche and Tyler Brooke
See more »

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User Reviews

 
Minor Lubitsch, fun at times
5 August 2005 | by (United States) – See all my reviews

Even minor Lubitsch rates a 7. His comedic sensibility was unique in its poetry and effortless sophistication.

One doesn't expect an iron-clad plot in musical comedy, but MONTE CARLO's fails to fulfill even the minimal requirements of the genre. It simply makes no sense and creates no tension, erotic or otherwise. A nobleman falls for a runaway countess, and for absolutely no reason he pretends to be a commoner for the duration of the film.

Lubitsch is normally so good at plot construction, it's surprising that this one is so flat. Zasu Pitts, who can be so delightful, makes no impression here. Even the dialogue discouragingly fails to sparkle.

The film's other problem is the leading man, Jack Buchanan, who simply doesn't come across well on-camera and has absolutely no chemistry with MacDonald. Compared to the robust, lusty Maurice Chevalier in other Lubitsch/MacDonald films, Buchanan here is fey and sexless. MacDonald does her best, though, and acquits herself well.

No Lubitsch film is without its pleasures. It's worth seeing, but it's no MERRY WIDOW.


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