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Monte Carlo (1930)

Passed | | Comedy, Musical, Romance | 27 August 1930 (USA)
A countess flees to Monte Carlo on the day of her wedding, where she is courted by a count posing as a hairdresser.

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(adaptation), (play) | 3 more credits »
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Cast

Complete credited cast:
...
...
...
...
Bertha
Tyler Brooke ...
...
Paul
...
Prince Gustav von Liebenheim
Albert Conti ...
Master of Ceremonies
Helen Garden ...
Lady Mary
Donald Novis ...
Monsieur Beaucaire
Erik Bey ...
Lord Winderset
David Percy ...
Herald
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Storyline

Minutes before her wedding to Duke Otto Von Seibenheim, Countess Helene Mara flees, on a whim, to Monte Carlo, where she hopes her luck will save her poor financial state. There, Count Rudolph Farriere is taken by her beauty, but she rebuffs him, not even looking at him. Assuming the guise of a hairdresser, he finally succeeds in seeing her, night and morning. Sparks fly, and love ensues - but can she love a lowly hairdresser? As her finances worsen though, the Duke arrives, and his money and social status seem even more enticing. Shunning Rudolph, will her story follow the operatic "unhappy ending", or can she have it all? Written by Rick

Plot Summary | Add Synopsis

Taglines:

As exciting as a caress! As intimate as clinging silk! See more »


Certificate:

Passed
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Details

Country:

Language:

|

Release Date:

27 August 1930 (USA)  »

Also Known As:

Monte Karlo  »

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Box Office

Budget:

$726,465 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Its earliest documented telecast took place in Minneapolis Saturday 25 July 1959 on WTCN (Channel 11); its initial Los Angeles telecast took place Friday 29 January 1960 on The Late Show on KNXT (Channel 2), and in New York City it first aired on the Late Show Monday 5 December 1960 on WCBS (Channel 2). Both of these last two particular slots were usually reserved for the most vintage titles in each station's Paramount Library. The restored version of this film was first released on DVD 12 February 2008 as one of 4 features in Criterion's Lubitsch Musicals collection, and has since enjoyed occasional presentations on Turner Classic Movies. See more »

Goofs

Jeanette MacDonald is referred to as a blonde early on in the dialogue. She was actually a redhead, and no attempt was made to lighten her hair to make her look blonde. Her hair photographed the dark grey red hair usually reproduced as on the black-and-white film used in 1930. See more »

Quotes

Count Rudolph Falliere a.k.a. Rudy the hairdresser: I have a system that can't miss. If I happened to be standing beside a brunette I bet on red. If I am standing next to a readhead I bet on black.
Armand: But suppose you're standing next to a blonde. What do you do then?
Count Rudolph Falliere a.k.a. Rudy the hairdresser: I ask where she lives.
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Connections

Referenced in Hollywood Hist-o-Rama: Jeanette MacDonald (1962) See more »

Soundtracks

Whatever It Is, It's Grand
(uncredited)
Music by Richard A. Whiting and W. Franke Harling
Lyrics by Leo Robin
Sung by Jeanette MacDonald and Jack Buchanan
See more »

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User Reviews

 
Minor Lubitsch, fun at times
5 August 2005 | by See all my reviews

Even minor Lubitsch rates a 7. His comedic sensibility was unique in its poetry and effortless sophistication.

One doesn't expect an iron-clad plot in musical comedy, but MONTE CARLO's fails to fulfill even the minimal requirements of the genre. It simply makes no sense and creates no tension, erotic or otherwise. A nobleman falls for a runaway countess, and for absolutely no reason he pretends to be a commoner for the duration of the film.

Lubitsch is normally so good at plot construction, it's surprising that this one is so flat. Zasu Pitts, who can be so delightful, makes no impression here. Even the dialogue discouragingly fails to sparkle.

The film's other problem is the leading man, Jack Buchanan, who simply doesn't come across well on-camera and has absolutely no chemistry with MacDonald. Compared to the robust, lusty Maurice Chevalier in other Lubitsch/MacDonald films, Buchanan here is fey and sexless. MacDonald does her best, though, and acquits herself well.

No Lubitsch film is without its pleasures. It's worth seeing, but it's no MERRY WIDOW.


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