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Monte Carlo (1930)

Passed  -  Comedy | Musical | Romance  -  27 August 1930 (USA)
6.9
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Ratings: 6.9/10 from 745 users  
Reviews: 29 user | 15 critic

Minutes before her wedding to Duke Otto Von Seibenheim, Countess Helene Mara flees, on a whim, to Monte Carlo, where she hopes her luck will save her poor financial state. There, Count ... See full summary »

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Title: Monte Carlo (1930)

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Cast

Complete credited cast:
Jack Buchanan ...
Count Rudolph Falliere / Rudy the Hairdresser
...
Countess Helene Mara
Claud Allister ...
Prince Otto von Liebenheim
...
Bertha
Tyler Brooke ...
Armand
John Roche ...
Paul, the 'Real' Hairdresser
Lionel Belmore ...
Duke Gustav von Liebenheim
Albert Conti ...
Prince Otto's Companion / M.C
Helen Garden ...
Lady Mary in Stage Opera
Donald Novis ...
Monsieur Beaucaire in Stage Opera
Erik Bey ...
Lord Windorset
David Percy ...
Herald
Edit

Storyline

Minutes before her wedding to Duke Otto Von Seibenheim, Countess Helene Mara flees, on a whim, to Monte Carlo, where she hopes her luck will save her poor financial state. There, Count Rudolph Farriere is taken by her beauty, but she rebuffs him, not even looking at him. Assuming the guise of a hairdresser, he finally succeeds in seeing her, night and morning. Sparks fly, and love ensues - but can she love a lowly hairdresser? As her finances worsen though, the Duke arrives, and his money and social status seem even more enticing. Shunning Rudolph, will her story follow the operatic "unhappy ending", or can she have it all? Written by Rick

Plot Summary | Add Synopsis

Taglines:

As intimate as a lady's boudoir! (original window card poster) See more »


Certificate:

Passed
Edit

Details

Country:

Language:

|

Release Date:

27 August 1930 (USA)  »

Also Known As:

Monte Karlo  »

Box Office

Budget:

$726,465 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.20 : 1
See  »
Edit

Did You Know?

Trivia

One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »

Goofs

When Rudolph is leaving the Countess's boudoir after kissing her and depositing her on the chaise-lounge, the shadow of the microphone boom can be seen on the door. See more »

Quotes

Count Rudolph Falliere a.k.a. Rudy the hairdresser: I have a system that can't miss. If I happened to be standing beside a brunette I bet on red. If I am standing next to a readhead I bet on black.
Armand: But suppose you're standing next to a blonde. What do you do then?
Count Rudolph Falliere a.k.a. Rudy the hairdresser: I ask where she lives.
See more »

Connections

Referenced in Hollywood Hist-o-Rama: Jeanette MacDonald (1962) See more »

Soundtracks

Whatever It Is, It's Grand
Music by Richard A. Whiting and W. Franke Harling
Lyrics by Leo Robin
Sung by Jeanette MacDonald and Jack Buchanan
See more »

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User Reviews

 
Minor Lubitsch, fun at times
5 August 2005 | by (United States) – See all my reviews

Even minor Lubitsch rates a 7. His comedic sensibility was unique in its poetry and effortless sophistication.

One doesn't expect an iron-clad plot in musical comedy, but MONTE CARLO's fails to fulfill even the minimal requirements of the genre. It simply makes no sense and creates no tension, erotic or otherwise. A nobleman falls for a runaway countess, and for absolutely no reason he pretends to be a commoner for the duration of the film.

Lubitsch is normally so good at plot construction, it's surprising that this one is so flat. Zasu Pitts, who can be so delightful, makes no impression here. Even the dialogue discouragingly fails to sparkle.

The film's other problem is the leading man, Jack Buchanan, who simply doesn't come across well on-camera and has absolutely no chemistry with MacDonald. Compared to the robust, lusty Maurice Chevalier in other Lubitsch/MacDonald films, Buchanan here is fey and sexless. MacDonald does her best, though, and acquits herself well.

No Lubitsch film is without its pleasures. It's worth seeing, but it's no MERRY WIDOW.


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