5.7/10
117
6 user 2 critic

The Life of the Party (1930)

Passed | | Comedy, Musical, Romance | 25 October 1930 (USA)
Two attractive female song-pluggers decide to become gold-diggers, with comic results.

Director:

Writers:

(by) (as Melville Crossman), (dialogue)
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Cast

Complete credited cast:
Winnie Lightner ...
Flo
...
Dot
Jack Whiting ...
A.J. Smith
...
Colonel Joy
...
Mons. LeMaire
...
Mr. Smith
Arthur Hoyt ...
Secretary
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Storyline

Broadway song-pluggers Flo and Dot, besieged with admirers, are fired; disgusted with men, they decide to become gold-diggers. After a first success in "taking" fashion retailer LeMaire, they try the millionaires' playground of Havana, where mistaken identities bring their schemes to comic confusion. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

SHE'S A PANIC! Wise-Cracking "Gold Diggers" Star in a new 1930 laugh riot! See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

25 October 1930 (USA)  »

Also Known As:

Charivari  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Vitaphone)

Color:

(TV prints)| (2-Strip Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The title credits on the present surviving version, as well as the anachronistically more modern music behind them, were designed in the 1950s for the television release. The original material and musical accompaniment begins with the first title card, "New York was originally purchased from the Indians..." See more »

Connections

References Journey's End (1930) See more »

Soundtracks

Poison Ivy
(uncredited)
Composer unknown
Played on piano by Irene Delroy
Sung by Winnie Lightner
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User Reviews

 
Inconsequential but fun, with enjoyable performances
16 September 2013 | by (United States) – See all my reviews

Often-witty dialogue can't quite save a predictable, simplistic plot, but Winnie Lightner and Irene Delroy keep the film quite entertaining. The film as a whole is totally inconsequential, but several of the performances, especially those of the two leads, are enough to recommend it.

Lightner's forceful, abrasive, energetic, and often hilarious performance is a perfect foil for Delroy's sweet, dewy, and relatively languid one. Charles Butterworth's underplayed humor is very welcome in a minor role, while the unfunny slapstick subplot anchored by Charles Judels' almost grotesque performance as Monsieur LeMaire throws the film off pitch whenever it resurfaces throughout.

Overall, simple, predictable, and worth a watch.


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