Based on Terry Southern's satirical novel, a sendup of Voltaire's -Candide-. Young Candy is a high school girl who seeks truth and meaning in life, encountering a variety of kookie characters and humorous sexual situations in the process.
The West Indies island of Portuga exists mainly for sponge diving. But the best area of collection is frequented by a very large manta ray. Nina loses her lover to the creature and is ... See full summary »
Haines plays the role of a festive British nobleman, for whom a marriage has been arranged by his relatives. He goes to a European Summer resort and poses as a gigolo to meet the girl ... See full summary »
C. Aubrey Smith
Vice lord Dominic has brought Swifty Dorgan east to do a job for him. When Swifty appears to have died falling from a train, detective Henderson impersonates him hoping to get into the mob.... See full summary »
Edward F. Cline
Edward G. Robinson,
New Moon is the name of the ship crossing the Caspian Sea. A young Lt. Petroff meets the Princess Tanya and they have a ship board romance. Upon arriving at the port of Krasnov, Petroff ... See full summary »
Judge Moffett is as crooked as they come and the Board of Judicial Corruption is after him. So he hides out in the poor part of town. While there, she drops the bankbook that Moffett has ... See full summary »
As far as I can tell, the incidents shown in this film did not happen to the real Jenny Lind.
Lind was the "Swedish Nightingale," an opera and concert performer in the 1800s who was brought to America by P.T. Barnum and madly hyped. There is no way to hear her voice today, alas, but some writings have stated that she was probably not as good as some of her contemporaries, but she was a favorite of several composers and given tons of publicity by Barnum. She apparently sang coloratura; in fact, once she sang a Rossini aria for Rossini, and it was so interpolated, when she was finished, Rossini said, "A pretty little song. Who wrote it?" In this story, Lind meets a composer (Reginald Denny) who falls for her and writes for her, eventually going blind. Fiction, as far as I can tell, as Lind married Otto Goldschmidt and had a long and successful marriage, and three children.
This story is very melodramatic and, done in 1930, a lot of the acting and sound bugs hadn't been worked out yet. One thing that is true is that Lind did suffer vocal problems and a famous teacher did help restore her voice; however, her problems didn't begin while she was on stage in Norma repeating the Casta Diva (repeating arias was often done in the old days when there was a loud and long ovation).
Moore sings from the above-mentioned Norma and La Fille du Regiment. What makes the film watchable is Moore's singing. She had a beautiful voice. Like a lot of the early sopranos, the top wasn't 100%; I can never figure out if it was the way they were recorded or taught. However, her debut was in Der Freischutz as Agathe, which leads me to believe she had a sizable lyric coloratura voice. However, given that these early singers sang everything, maybe not. It's not known why she retired from opera in her late twenties; it could have been that she found it too hard on her voice.
Anyway, enjoy Moore's lovely singing.
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