There's murder at a California high school, where female students are being targeted by an unknown serial killer, a married teacher hides his flings with nubile students, and an awkward ... See full summary »
A love story centered around the lives of three young German soldiers in the years following World War I. Their close friendship is strengthened by their shared love for the same woman who ... See full summary »
Snooty opera singer meets a rough-and-tumble fisherman in the Louisiana bayous, but this fisherman can sing! Her agent lures him away to New Orleans to teach him to sing opera, but comes to... See full summary »
Mrs. Topper's friend Mrs. Parkhurst has convinced Mrs. Topper to file for a divorce from Cosmo, due to the strange circumstances of his trip with ghost Marion Kirby. Marion comes back from ... See full summary »
Norman Z. McLeod
A young, millionaire rock promoter decides to create a new boy/girl duo team for his teen TV dance show by teaming up an ambitious go-go dancer and a has-been pop star and presenting them to the public as a new romantic pair.
Grace Moore was lucky to get two cracks at Hollywood, first with MGM and later with Columbia. Harry Cohn definitely knew how to showcase her better than the material that MGM gave her.
The story of Jenny Lind, the famous Swedish Nightingale of the 19th Century might have been a good choice and her real story would have been good cinematic material. The plot as presented here had nothing to do with the real Jenny Lind. The only thing that was real was the fact that P.T. Barnum brought her over to the USA for a famous tour. Barnum also marketed her in the same way a century later Hopalong Cassidy got marketed when his old films gave him renewed popularity on television. Wallace Beery played Barnum for the first time here, later on MGM would star him in a film about Barnum.
The acting by Moore and her leading man Reginald Denny is way over the top. The plot is also terribly melodramatic. Denny's character as a composer who goes blind is completely fictional. In real life Jenny Lind married her accompanist and really did live happily ever after.
Moore made one more film for Leo the Lion and then went back to New York and the Metropolitan Opera. Harry Cohn brought her back in 1934 when she made One Night of Love for Columbia and it was a great success. She comes across so much better there than in A Lady's Morals.
Still she does have some nice arias and opera fans will tolerate the melodrama to hear them.
6 of 6 people found this review helpful.
Was this review helpful to you?