Horace pulls a wagon with a a small pipe organ, with Mickey at the keys; a sign on the side reads "Mickey's Big Road Show." They arrive, and Mickey's suitcase labeled "Jazz Fool" unfolds to... See full summary »
Mickey's apparently on an African safari, riding on an elephant, but his shotgun disintegrates the first time he tries to use it. To sooth the vicious beasts, he plays tunes, sings, and ... See full summary »
Mickey leads an 8-piece orchestra (that's counting the bass played by three birds as one) through the most recognizable parts of the Poet and Peasant Overture. The setting, as the title ... See full summary »
Mickey is a railroad engineer with an anthropomorphic locomotive. He feeds the train (coal), then feeds his dog, then makes lunch for himself. Minnie drops by and plays a tune on her fiddle... See full summary »
Mickey goes about his farm chores, plowing with Horace and milking Clarabelle, while Minnie sings (until Mickey kisses her, when she stalks off). Clarabelle gets too friendly with Mickey, ... See full summary »
Mickey is selling hot dogs at a carnival next to the tent for Minnie the Shimmy Dancer. He gets into an argument with the barker. Minnie beckons him over to her trailer; he shows off the ... See full summary »
I have to say as a Disney, Mickey and classical music enthusiast, I thoroughly enjoyed Fiddlin' Around(or Just Mickey). The story is very thin and it is disconcerting to see him have long hair in some scenes and then no hair in others. The animation seemed uneven to me too, the personality animation is actually superb but the backgrounds for me were rather sparse and Mickey at the start was somewhat awkward-looking. But there are many things that make it interesting. The beginning with a curtain opening to reveal another and so forth is a neat gag. There are some other nice gags, like the string breaking when Mickey is tuning up and his reaction to his heckler. The music is simply delightful, Morning, Noon, and Night in Vienna by Suppe is a perfect piece to introduce Mickey to the unseen audience, and the Hungarian Dance by Brahms and William Tell by Rossini are really rousing, the latter is probably where Mickey is at his funniest as he grovels with his long hair, loses his balance and is pretty much crawling on the floor. Sandwiched in the middle is the more thoughtful and poignant Schumann Traumerai, how Mickey reacts to it in his facial expressions makes the scene work and the music is just beautiful, though in all honesty I would have preferred for the playing itself to have had more legato. Mickey is exceptional in what is essentially a one-man's show, and his facial expressions from passion, devout sadness and anger are priceless and beautifully expressed, it really is some outstanding personality animation. The changes in perspective are also interesting, right from wide shots, close-ups and side-shots from left/right-centre. All in all, an interesting and worthwhile cartoon, just not one of Mickey's very finest or among my favourites. 7/10 Bethany Cox
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