New York, 1980: airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ...... See full summary »
A Vienna based acting couple make magic when they perform together on stage. Unknown to the theater going public and despite being married for only six months, that magic seems no longer to... See full summary »
Western sheriff Bob Wells is preparing to marry Sally Morgan; she loves part-Indian Wanenis, whose race is an obstacle. Sally flees the wedding with hypochondriac Henry Williams, who thinks... See full summary »
On a volcanic island near the kingdom of Hetvia rules Count Dakkar, a benevolent leader and scientist who has eliminated class distinction among the island's inhabitants. Dakkar, his ... See full summary »
Wealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees ... See full summary »
Cecil B. DeMille
Lou Ricarno is a smart guy. His plan is to organize the various gangs in Chicago so that the mugs will not liquidate each other. WIth the success of his leadership, Louie prospers, marries ... See full summary »
Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and... See full summary »
New York, 1980: airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ... well, you get the idea. Scientists revive a man struck by lightning in 1930; he is rechristened "Single O". He is befriended by J-21, who can't marry the girl of his dreams because he isn't "distinguished" enough -- until he is chosen for a 4-month expedition to Mars by a renegade scientist. The Mars J-21, his friend, and stowaway Single O visit is full of scantily clad women doing Busby Berkeley-style dance numbers and worshiping a fat middle-aged man. Written by
Jon Reeves <email@example.com>
The spaceship became Dr. Zarkov's rocket in the Flash Gordon serial. Footage of the dance number featuring and idol was used in the serial as entertainment for Ming. See more »
Boys, I vouldn't know de old town! Vere is all de automobiles?
Oh, they're in the upper level.
Hardly anyone drives a car now. They all use planes.
Is dat so?
Yeah, I drive a Rosenblatt. J flies a Pinkus for his personal use, but all the airliners are Goldfarbs.
It looks like someone got even with Henry Ford!
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Only the truly stupendous art direction of this film saved it from a rating of "1." David Butler directed what was probably supposed to be a star vehicle for El (short for Elmer) Brendel, a long time vaudevillian, but which was more of a testament to the art deco style and the endless quest to imagine a long-distant future. Made in 1930, looking briefly back to 1880, the film pictures a 1980 in which cars have been replaced by personal planes, food and alcohol have been reduced to pill form, babies are purchased from a machine, and the marriage tribunal acts as matchmaker. The clothes are mostly skimpy or see-through for the women and odd lapel-less suits with side buttons for the men (actually not so inappropriate for 1980--they looked like something out of a Human League video).
People no longer have names, but rather are identified with a combination of letters and numbers which sounds suspiciously like names (J, RT, LN, D, etc.) In two of the exceptions to this trend, the villain is MT (empty?) and the heroine's father is AK. (Given the poke at Henry Ford's anti-semitism, practically the only funny moment in the film, I couldn't help wonder if AK represented the common abbreviation for the Yiddish expression "alte kake," or "old fart.") The plot, if one can call it that, revolves around the star-crossed love of J and LN, facilitated by Brendel and capped by a phenomenal trip to Mars (take that, Mr. Bush). There we learn that as early as 1930, the tradition of women in space wearing skimpy clothing already was in place.
There's no real plot, and not a lot of humor, and the songs aren't even that good. (Better DeSylva, Henderson, and Brown numbers can be heard in their biopic, "The Best Things in Life are Free.") There really isn't anything to watch this for other than the spectacular production design.
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