New York, 1980: airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ...... See full summary »
New York, 1980: airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ... well, you get the idea. Scientists revive a man struck by lightning in 1930; he is rechristened "Single O". He is befriended by J-21, who can't marry the girl of his dreams because he isn't "distinguished" enough -- until he is chosen for a 4-month expedition to Mars by a renegade scientist. The Mars J-21, his friend, and stowaway Single O visit is full of scantily clad women doing Busby Berkeley-style dance numbers and worshiping a fat middle-aged man. Written by
Jon Reeves <firstname.lastname@example.org>
First science fiction film made as a talkie, also as a musical. See more »
Boys, I vouldn't know de old town! Vere is all de automobiles?
Oh, they're in the upper level.
Hardly anyone drives a car now. They all use planes.
Is dat so?
Yeah, I drive a Rosenblatt. J flies a Pinkus for his personal use, but all the airliners are Goldfarbs.
It looks like someone got even with Henry Ford!
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Having read some earlier user comments and Maltin review, I wasn't expecting Citizen Kane; rather, that this was one of those "so bad it's good" films. I would comment rather: "so bad it's incredible". It makes Reefer Madness and its like appear as cinematic art. I couldn't take my eyes off the screen, since I was sure that matters could not get worse. The futuristic earth scenes from 1980 (!) were not bad despite a trite story, since the sets must have seemed impressive at the time, and are about as good as those in the British film Things to Come. El Brendel was not as poor a performer elsewhere as he was here, given the poor material he had to work with. His hat sequence, probably perfected over years in vaudeville, is the most entertaining moment in the film. Who thought up the Mars sequence? A number of silent filmmakers had already done the alien or primitive world with much more sophistication, and not unbalanced between comedy (Brendel) and adventure (the heroes). To do justice to the cast: they were attractive performers doing their best.
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