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32 user 12 critic

The Shame of Mary Boyle (1929)

Juno and the Paycock (original title)
During the Irish revolution, a family earns a big inheritance. They start leading a rich life forgetting what the most important values are.

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Writers:

(play), (adaptation) | 1 more credit »
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Cast

Complete credited cast:
...
The Orator
Maire O'Neill ...
Mrs. Maisie Madigan (as Maire O'Neil)
Edward Chapman ...
Sidney Morgan ...
...
...
Dave Morris ...
Kathleen O'Regan ...
...
Dennis Wyndham ...
The Mobiliser (as Denis Wyndham)
Fred Schwartz ...
Mr. Kelly (as Fred Schwarz)
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Storyline

During the Irish revolution, a family earns a big inheritance. They start leading a rich life forgetting what the most important values of are. At the end, they discover they will not receive that inheritance; the family is destroyed and penniless. They must sell their home and start living like vagabonds. Written by Claudio Sandrini <pulp99@geocities.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

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Details

Country:

Language:

Release Date:

22 September 1930 (UK)  »

Also Known As:

The Shame of Mary Boyle  »

Company Credits

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Technical Specs

Runtime:

| (DVD)

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

Film debut of Edward Chapman. See more »

Goofs

In the shot of Johnny in bed after Maisie Madigan has a drink of whiskey at the Boyle's house, he is shown with both arms. See more »

Quotes

[first lines]
The Orator: Fellow countrymen, continuously and courageously we have fought and struggled for the national salvation of Ireland!
See more »

Connections

Version of Skuggan av en hjälte (1974) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Don't fall for the video box (like poor gridoon)!
18 May 2001 | by See all my reviews

Yes, it's "talky." Possibly because it's a film version of Sean O'Casey's seminal stage play about poverty, class, betrayal and death in the slums of Dublin during the Irish Civil War." Dull?" This film is taut enough that a common votive light becomes as frightening as the appearance of a ghost. And a doomed young man's descent into paranoia and babbling fear fairly bursts on the screen.

The discerning viewer will not only be rewarded with a moving story; the Hitchcock touches are there as well. A young director already finding his voice while handling serious material. The dark humor (The Trouble with Harry), the suspense that builds in silence (Lifeboat), and the immediate presence of the camera in the midst of life (Rope). All there.

Studios often resort to misleading packaging in attempts to lure the unsuspecting into renting/seeing/buying a movie that would otherwise not attract them. Those who only like their Hitchcock with a boy in mama's dress or a bird on a wire WILL hate this gem. Their loss.


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