On shore leave, a young sailor meets and falls in love with a pretty young blonde. He goes home with her to meet her parents, but they don't approve of him at all. Their daughter takes ... See full summary »
A German immigrant to a small American town is a widower with four children and a barber. He has saved enough money to invest in a partnership in a savings-and-loan company with a friend. ... See full summary »
'Rainbow Girls' has just opened and closed on Broadway when Dixie, a actress in it, runs into smooth talking Hollywood Director Frank Buelow. He tells her she would be a natural, promises ... See full summary »
A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting ... See full summary »
Bill Whipple is a happy-go-lucky mechanic for MacDonald who thinks that he is the worlds greatest driver and lover. Mac has treated Bill like a son since he took him in. One day at the ... See full summary »
Though she loves one man, an ambitious Palm Beach girl marries another, whom she thinks is rich. He turns out to be a fraud who thought she was an heiress. She returns to a successful hat ... See full summary »
Tom Ward is just back from College and the only thing that he seemed to learn is how to be obnoxious and loud. He forgoes a bank job to work at Sutton and Company just to make time with Mary, McAndrews' fiancée. Mary warms to Tom, but his work is such that his job is history. After losing his father, it is up to Tom to support and care for his family. His attitude towards work changes, but not his attitude towards Mary. Written by
Tony Fontana <firstname.lastname@example.org>
M-G-M also released this film as a silent version at 1,759.31 m. See more »
The film begins in broad daylight, then just after the car avoids being hit by the train at the railroad crossing, the car is in a minor fender-bender with a tree which appears to take place at night, then in the next scene when the car pulls up in front of the house, it's daylight again. See more »
Oh, ho - what's taking? And I used to blow your nose for yuh when you had more sense than you got now... and you didn't have much then.
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During the 1920s, William Haines made a string of films with very, very similar themes. In films such as BROWN OF HARVARD and THE SMART SET, he played a smug braggart that was immensely talented but needed to learn humility. He always found this out after he disappointed the team with his boorish behavior. However, late in the films, a humbler Haines then learns what it means to be self-sacrificing--once again allowing him to be the hero--and so ended each picture.
By the 1930s, Haines was essentially doing the same roles he'd done for years. The big difference was that with the advent of sound pictures, he not only acted conceited but you could hear him talking non-stop about himself--making people like me wish he'd stayed in silent films! Additionally, by the time he did THE GIRL SAID NO, his character had also changed--and not for the better. In the earlier films he was conceited but immensely talented. However in THE GIRL SAID NO, he was essentially an annoying idler with nothing to back up his boasting but his "charming personality". Well, to me this personality was not at all charming and I just wanted to bust him in the mouth!! An unlikable and sociopathic jerk is what he was in this film (such as sexually harassing a girl repeatedly, acting cruelly to everyone he came in contact with and risking others' lives) and I found myself loathing every second he was on film. This is quite a change, as I had liked many of his earlier films, but by this awful film he was simply too unlikable, too brash, too talkative, too selfish and just too much! Watching him was like watching an obnoxious four year-old who insists on entertaining guests--whether they want to or not!!
I've gotta admit something before I close. This is the first Haines film I didn't finish. I tried, believe me, but I simply hated the sight and sound of him and couldn't take it any more. I know that according to formula, by the end of the film he'll have changed, but I wasn't willing to wait plus someone this awful really won't change in real life.
I read a book some time ago about leading men at MGM and it said how Haines' career ended because Louis B. Mayer was a homophobe and pushed him out of films. I used to believe it, but with films like THE GIRL SAID NO, I am more inclined to believe that Haines just overstayed his welcome. With him performing essentially the same role again and again (and the character getting more obnoxious as the years passes), it's no wonder he was out of the business by the mid-1930s. I truly, truly hated him in this film and would rather gargle with glass then see it to the end!!
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