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Free and Easy (1930) More at IMDbPro »

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Overview

User Rating:
5.5/10   335 votes
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Down 7% in popularity this week. See rank & trends on IMDbPro.
Director:
Edward Sedgwick
Writers:
Al Boasberg (dialogue)
Paul Dickey (adaptation)
(more)
Contact:
View company contact information for Free and Easy on IMDbPro.
Release Date:
22 March 1930 (USA) more
Genre:
Comedy | Musical more
Plot:
Gopher City Kansas hosts a beauty contest. The winner, Elvira Plunkett, and her mother go to Hollywood... more | add synopsis
User Comments:
A treasure trove of footage featuring Hollywood & MGM in '30 more

Cast

  (in credits order) (verified as complete)

Buster Keaton ... Elmer Butts

Anita Page ... Elvira Plunkett
Trixie Friganza ... Ma Plunkett

Robert Montgomery ... Larry Mitchell
Fred Niblo ... Himself
Edgar Dearing ... Studio Gate Security Officer
Gwen Lee ... Herself
John Miljan ... Himself

Lionel Barrymore ... Himself

William Haines ... Himself
William Collier Jr. ... Himself
Dorothy Sebastian ... Herself
Karl Dane ... Himself
David Burton ... Himself
rest of cast listed alphabetically:
Jack Baxley ... Train Conductor (uncredited)
Edward Brophy ... Benny, The Stage Manager (uncredited)
Richard Carle ... Undetermined Role (uncredited)
Louise Carver ... Big German Woman (uncredited)
Emile Chautard ... Undetermined Role (uncredited)
Jackie Coogan ... Himself (uncredited)
Cecil B. DeMille ... Himself (uncredited)
Drew Demorest ... Larry's Valet (uncredited)
Ann Dvorak ... Chorine, Free and Easy Number (uncredited)
Joseph Farnham ... Himself (uncredited)
Pat Harmon ... Doorman at Premiere (uncredited)
Lottice Howell ... Vocalist, 'It Must Be You' (uncredited)
Arthur Lange ... Himself (uncredited)
Theodore Lorch ... Dynamite scene director (uncredited)
Billy May ... Himself (uncredited)
Marion Shilling ... Undetermined Role (uncredited)
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Directed by
Edward Sedgwick 
 
Writing credits
(in alphabetical order)
Al Boasberg  dialogue
Paul Dickey  adaptation
Richard Schayer  writer

Produced by
Edward Sedgwick .... producer
 
Cinematography by
Leonard Smith 
 
Film Editing by
William LeVanway 
George Todd (uncredited)
 
Art Direction by
Cedric Gibbons 
 
Sound Department
Douglas Shearer .... recording director
Jack Jordan .... sound assistant (uncredited)
Douglas Shearer .... sound recording engineer (uncredited)
Karl Zint .... sound recording engineer (uncredited)
 
Camera and Electrical Department
George Hurrell Sr. .... still photographer (uncredited)
 
Costume and Wardrobe Department
David Cox .... wardrobe
 
Other crew
Sammy Lee .... dance staged by
 
Crew believed to be complete


Production CompaniesDistributors
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Additional Details

Also Known As:
Easy Go (USA) (TV title)
more
Runtime:
92 min
Country:
USA
Language:
English
Aspect Ratio:
1.20 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:
USA:Approved

Fun Stuff

Trivia:
The three main characters of the film - Elmer Butts, and Elvira and Ma Plunkett - come to Hollywood from Gopher City, Kansas. Trixie Friganza, who plays Ma Plunkett, was in fact from Kansas. more
Goofs:
Boom mic visible: When Larry orders his car, a visible mike descends from the upper right hand corner of the frame while he says his line, then rises out of sight again. more
Quotes:
Elmer Butts: Oh woe is me, the queen has swooned, after you.
Fred Niblo: The queen didn't swoon after me!
Elmer Butts: She swoon after me?
Fred Niblo: She didn't swoon after anybody!
Elmer Butts: Then why all the excitement?
more
Movie Connections:
Featured in That's Entertainment! (1974) more
Soundtrack:
Oh King, Oh Queen more

FAQ

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13 out of 14 people found the following comment useful:-
A treasure trove of footage featuring Hollywood & MGM in '30, 6 October 2004
Author: Gary Wang (DEERFIELDR1@aol.com) from United States

Buster Keaton's talents sadly are not put to very good use here. He appears to be sufficiently alert, however the producer and writers have given him nothing to work with and there is clearly no opportunity for his trademark expertise at improvisation. Sad-eyed Buster's excessively shrill nemesis is a stage mother from Hell who steals all of their scenes together through sheer brute force by overacting, rendering Mr. Keaton's character pathetic and perpetually downtrodden. Then again, the viewer is also subjected to Robert Montgomery crooning so there really is plenty of blame to go around here from a production standpoint. Nevertheless, this is an important movie that features unique and valuable insights into Hollywood soon after the industry's changeover to sound. Billy Haines appears in a cameo as himself and he says a few words before wending his way down to the reserved seating section far forward in the Grauman's Chinese Theater--and the camera follows him! The POV includes panoramic scenes of the interior, as well as a close-up look at the Red Carpet outside of the theater as the glamorous stars of the day drove up, alighted from their magnificent cars and had a few words to say into the microphone before heading inside, framed by shots of the crowd that has gathered outside to witness the spectacle. Jackie Coogan is featured here as himself, and the story soon shifts to the MGM Studio where we are afforded further behind-the-scenes eyefuls of a sound stage with all the trappings, outbuildings, gated entrances and eavesdropping on the likes of Fred Niblo and Cecil B. DeMille as they candidly discuss Garbo, Crawford and Shearer! I have always prized MGM's The Jean Harlow Story, starring Jean Harlow--er, make that BOMBSHELL for the unique and rare glimpses that it provides of the Metro-Golden-Mayer studio circa 1933, but this movie was made three years earlier and the storyline is set at the studio. It is therefore particularly instructive for anyone who is similarly intrigued by sustained peeks at real, undesigning people and authentic settings of historical significance in Hollywood from some of the earliest days of its glorious Golden Age. There is some vintage lightning in a bottle here in this Keaton clunker, for anyone who cares to a take a look.

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