Lora Moore, the club champion, loses a golf match to a woman from another golf club. Then Jerry Downs, a handsome golf pro, and his goofy friend, Jack Martin, show up. Lora takes him on as ...
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This revue presents its numbers around the orchestra leader Paul Whiteman, besides that it shows in it's final number that the European popular music are the roots of American popular music... See full summary »
A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting ... See full summary »
Joe Merrill, son of the millionaire owner of a chain of 5 and 10 cent stores, poses as Joe Grant, and takes a job in the stockroom of one of his father's stores, to prove that he can be a ... See full summary »
Charles 'Buddy' Rogers,
Lora Moore, the club champion, loses a golf match to a woman from another golf club. Then Jerry Downs, a handsome golf pro, and his goofy friend, Jack Martin, show up. Lora takes him on as her golf teacher to work on her putt. She falls for him, but so do several other women. Meanwhile Angie Howard, Lora's friend, chases after Jack. A lot of silliness ensues. Written by
John Oswalt <email@example.com>
This dizzy delight is a Paramount musical made in the snazzy jazzy days of 1929 and filmed in delicious two strip Technicolor. How much do I just love this funny silly film? 9/10 funny.... and a complete wish come true to see the modern fashions and elite life of the flapper 20s. Very stagy in its tone and just like a dream come true for anyone who also loves WHOOPEE and other dawn of sound Technicolor talkies FOLLOW THRU remains a modern film today and especially because of the fashion style and use of color. Filmed outdoors at a real golf hacienda which would have cut down costs considerably allowing for expensive use of color and great clothing designs, FOLLOW THRU is the real jazz flapper 20s at it's most silly funny best. Zelma O'Neal is terrific and Buddy Rogers handsome boyfriend stuff, the drag sequence with Jack Haley and Eugene Palette is literally a howler... and dance numbers, especially I WANT TO BE BAD hold up well. FOLLOW THRU is a must for your DVD collection if the restored UCLA tech print is given a proper transfer. The masquerade party sequence is enough to make anyone swoon with glee. Add this to your art deco musical wish list along with THE BOYFRIEND and ROBERTA and WHOOPEE and GOOD MORNING EVE and AT LONG LAST LOVE (which shares an especially uncanny resemblance) and VOGUES OF 1938.
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