Mickey and Pluto are going duck hunting. They clown around a bit. Then they march off, with Pluto's fleas following in formation, which lures a few ducks to follow. As soon as Mickey turns ... See full summary »
Mickey and Minnie are next-door neighbors tending their yards. When Minnie is captured by a bird's song, Mickey hides in his bird-house and pretends to be a bird himself, until a cat ... See full summary »
A gorilla has escaped; Mickey, panicked, calls Minnie, but she plays a song to show she is not afraid. That is, until the gorilla comes up behind her and grabs her. Mickey rushes right over to save her.
Mickey puts on a show in his barnyard. A short dramatic scene by a chicken and rooster; an operatic ode by Patricia Pig, and then the main attraction: Mickey sings and plays his theme song, then dances to it.
Mickey and an early version of Donald Duck are police officers chasing dognapper Pegleg Pete. Despite their bumbling, they manage to repeatedly get the drop on Pete at his sawmill hideout, ... See full summary »
Mickey plays a bluesy tune on a piano on a stage. Minnie sings. Then an unseen band plays while both sing and dance. Mickey then leads the 9-piece band in an uptempo number, with Pluto on ... See full summary »
Mickey and others are firemen; they slide down an ostrich's neck when the alarm sounds. A squealing cat whose tail Mickey pulls acts as the siren. The nearest hydrant isn't working too well, so Horace Horsecollar takes drinks from a pond and uses that water to put out the fire. Minnie is trapped on an upper floor; Mickey climbs the neighboring building fire escape and uses a clothesline to cross to Minnie's building. Written by
Jon Reeves <email@example.com>
Chief Mickey & Horace Horsecollar are two of THE FIRE FIGHTERS who respond to save Miss Minnie from a blazing conflagration.
A fun, rather frantic, little black & white film. Music mavens will recognize "There'll Be A Hot Time In The Old Town Tonight" as the engine speeds to the fire. Walt Disney supplies Mickey's voice; look fast to spot Clarabelle Cow among the bystanders. The Disney artists deliver the requisite number of udder & bloomer gags.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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