Typical Amos 'n Andy storyline has the boys trying to make a go of their "open-air" taxi business while they get caught up in a society hassle, involving driving musicians to a fancy party.... See full summary »
Melville W. Brown
Freeman F. Gosden,
Charles J. Correll,
Rags-to-riches-to-rags story features Benny Goodman vocalist Martha Tilton as an unemployed big band singer who takes a job as an operator at a jukebox company. After falling in love with a... See full summary »
Two fast-talking insurance salesmen meet Mary, who is running away from her wealthy mother, and they agree to help her run a hotel that she owns. When they find out that the hotel is run ... See full summary »
All-girl school Mar Brynn tries to get more pupils and publicity by making fun of the Quincton college. For revenge, the boys there sent Bob Sheppard to Mar Brynn, dressed as a girl, to ... See full summary »
"Dakota," a young soldier on a pass in New York City, visits the famed Stage Door Canteen, where famous stars of the theatre and films appear and host a recreational center for servicemen ... See full summary »
The last 2 reels contain 2006 feet of 2-strip Technicolor footage, which was thought to be lost, and is hence missing from the 1956 television release prints and some public domain VHS and DVD copies, but which was rescued by film historian David Chierichetti, preserved by the UCLA film archives, and has now been restored to the original version. See more »
Mr. Wheeler & Mr. Woolsey Enliven Movie Musical Of Yesteryear
New Orleans songbird DIXIANA attracts both the noble son of a Dutch planter and the murderous owner of a music hall casino.
Here is an interesting antique from 1930, the first year Hollywood was all-Talkie. William Haines comedies were the box-office winners & musicals - like this one - were also extremely popular. Given a lavish production, especially during the Technicolor finale, a close examination of the film revels that the mysteries of the microphone were quickly being deciphered.
Bebe Daniels & Everett Marshall provide the romance & music. They certainly try their best, although the dialogue is not overly kind to them, and her fake Southern accent coupled with his wooden acting skills are two high hurdles for them to jump.
The film is punctuated by burlesque interludes provided by one of the finest comedic teams of the 1930's - Wheeler & Woolsey. Bert Wheeler (the short, curly-headed one) and Robert Woolsey (the skinny fellow with glasses) were always great fun and their jokes still hit home today, even if they themselves are virtually forgotten. Here they are given great assistance by dialect comedian Joseph Cawthorn, playing their Dutch host at a sumptuous Louisiana plantation; he fits in so well, especially when pulling the Three Cigar Joke, that he practically becomes a third member of the team.
Also on hand, as she was in so many of the Boys' films, is pert Dorothy Lee, as kewpie doll cute as ever. The massive Jobyna Howland, playing Cawthorn's temperamental wife, proves once again that she could handle the slapstick as well as the histrionics. Both ladies supply the extra oomph lacking in Miss Daniels' performance.
Ralf Harolde makes a mean villain and unbilled George Herman appears as the impressively limber contortionist.
It should be noted that there are some racist elements in the story; this was not unusual in American movies of that era.
The early Technicolor sequence - featuring the Mardi Gras in full swing - is very pleasing to the eye, benefiting from a recent film restoration. However, scenes still seem to be missing, evidenced by Wheeler suddenly appearing in drag (or is that his Carnival costume?) without explanation. Best of all, the legendary Bill Robinson finally arrives, for a total of 3 minutes, to dance for our delight.
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