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The Divorcee (1930)

Passed  |   |  Romance, Drama  |  19 April 1930 (USA)
6.9
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Ratings: 6.9/10 from 1,730 users  
Reviews: 35 user | 23 critic

When a woman discovers that her husband has been unfaithful to her, she decides to respond to his infidelities in kind.

Director:

(uncredited)

Writers:

(based on a novel by), (treatment) (as Nick Grindé) , 2 more credits »
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Title: The Divorcee (1930)

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Won 1 Oscar. Another 3 nominations. See more awards »
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Cast

Complete credited cast:
...
...
Ted
...
Paul
...
Don
Florence Eldridge ...
Helen
Helene Millard ...
Mary
Robert Elliott ...
Bill
...
Janice
Tyler Brooke ...
Hank
Zelda Sears ...
Hannah
...
Dr. Bernard
Judith Wood ...
Dorothy (as Helen Johnson)
Edit

Storyline

Jerry and Ted are young, in love, and part of the New York 'in-crowd'. Jerry's decision to marry Ted crushes a yearning Paul. Distraught Paul gets drunk and wrecks his car, disfiguring young Dorothy's face in the process. Out of pity, Paul marries Dorothy. Years later, the apparent perfect marriage of Ted and Jerry falls apart from infidelity on both sides. Inwardly unhappy, popular Jerry lives a party life while Ted sinks into a life of alcoholism. Jerry then runs into Paul, who still loves her. After spending time together with Jerry, Paul plans to divorce Dorothy. When Jerry sees Dorothy again, she has second thoughts about where her life is heading. Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Add Synopsis

Taglines:

A Metro-Goldwyn-Mayer All Talking Picture!

Genres:

Romance | Drama

Certificate:

Passed | See all certifications »
Edit

Details

Country:

Language:

|

Release Date:

19 April 1930 (USA)  »

Also Known As:

A Divorciada  »

Box Office

Budget:

$340,691 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(copyright length) | (Turner library print)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

Chester Morris and Robert Montgomery also appeared together in another of 1930's Best Film nominees, The Big House (1930). See more »

Goofs

Jerry types an address on an envelope, but when she seals a letter inside it, the envelope is still blank. See more »

Quotes

Jerry Bernard Martin: What am I going to be doing while you're saving your first million?
Theodore 'Ted' Martin: Waiting for me.
Jerry Bernard Martin: [Giggles] Waiting isn't my idea of the king of indoor sports. I've no intention of waiting around for three or four years while you harvest an additional crop of wild oats.
See more »

Connections

Featured in Complicated Women (2003) See more »

Soundtracks

Happy Days Are Here Again
(1929) (uncredited)
Music by Milton Ager
Lyrics by Jack Yellen
Played at the wedding party of Helen and Bill Baldwin
See more »

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User Reviews

 
Fast, advanced sound and naturalistic acting, and modern themes...terrific!
26 January 2010 | by (United States) – See all my reviews

The Divorcée (1930)

The start of this is such a busy, overlapping party scene in a country house, you can't help but get swept up in it. And if some of the acting or a few of the quips are not perfect, the best moments are really fun and spirited. The naturalism is really refreshing, and pace fast, and the dialog real. Then it spins out of control--the events, not the movie--and before fifteen minutes are up, there's a brief terrible moment that has two or three of the actors exploring an hysteria that a method actor would be proud of. It's intense, great stuff. Get at least that far in.

The rest of the movie follows suit, through quiet and fast moments, and the drama turns to melodrama and back, all pinned together by the ever convincing Norma Shearer. The themes--fidelity and infidelity, love and friendship, the superficial versus the things that matter--give it all something to chew on or laugh at at ever turn.

It's unnecessary to say that this is just two years after the full advent of sound, and it's a very developed, mature element in the movies. In fact, the density of things going on would never have been possible with intertitles, and it must have been a revelation to audiences and movie makers equally. Fast dialog and overlapping events are a natural extension of the theater, of course, but with the ability to shift scenes and zip down wooded roads with the camera is the essence of cinema.

So, in all, for how it's made, for the acting (the best of it), and for the serious, important themes, this is gem, an amazing movie, whatever its hiccups and flaws here and there. I wouldn't miss it.


4 of 4 people found this review helpful.  Was this review helpful to you?

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