Lally is a rich girl whose father writes books and plays Polo. After 23 years of marriage, he decides to divorce his wife, and marry Mrs. Chevers. This sours Lally on all men, while on ... See full summary »
A young woman is on trial for murder. In flashback, we learn of her struggles to overcome poverty as a teenager -- a mistaken arrest and prison term for shoplifting and lack of employment ... See full summary »
Jerry and Ted are young, in love, and part of the New York 'in-crowd'. Jerry's decision to marry Ted crushes a yearning Paul. Distraught Paul gets drunk and wrecks his car, disfiguring young Dorothy's face in the process. Out of pity, Paul marries Dorothy. Years later, the apparent perfect marriage of Ted and Jerry falls apart from infidelity on both sides. Inwardly unhappy, popular Jerry lives a party life while Ted sinks into a life of alcoholism. Jerry then runs into Paul, who still loves her. After spending time together with Jerry, Paul plans to divorce Dorothy. When Jerry sees Dorothy again, she has second thoughts about where her life is heading. Written by
Gary Jackson <firstname.lastname@example.org>
Jerry types an address on an envelope, but when she seals a letter inside it, the envelope is still blank. See more »
Jerry Bernard Martin:
Then, she has a right to look at you any way she likes?
Theodore 'Ted' Martin:
[Admitting his infidelity]
Now, see here Jerry. I'm sorry darling, of course. But, there's no sense in overplaying it. There's nothing to it. Oh, come on, snap out of it. It isn't the end of the world, darling. Why, gosh, I don't care a snap of my fingers for any woman in the world but you. If-if I'd killed somebody, you'd go all the way and back again for me. I'd ask you to try and forgive me, if I thought it was the right thing to do. But...
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A Neglected Landmark, More Often Discussed Than Actually Seen
THE Divorcée was created in the first wave of "all talking pictures," an era in which directors, writers, and actors often struggled to find styles appropriate to the new technology. At the time, it was hailed as a masterpiece of realism; today, however, it is a film more often discussed than actually seen, for there is no escaping the fact that the film is stylistically dated. Even so, it remains a landmark of its era--and given its historical importance it should be seen by any one with a serious interest in the history of American cinema.
The film is "pre-code," which is to say that it was made during a handful of years in the early 1930s when Hollywood's self-censorship was more the subject of jokes than of reality, and THE Divorcée was among the first Hollywood talkies to openly address both female sexuality and the sexual double standard. The story finds Jerry (Norma Shearer) and Ted (Chester Morris) happily married--but on their third anniversary Jerry discovers that Ted has been unfaithful, something that Ted dismisses with the words "it doesn't mean a thing." Angry and hurt, Jerry responds by having a one night stand of her own--and then is astonished by Ted's hypocrisy when he declares that her infidelity "isn't the same thing." The same story has been told so often that today we take it for granted, but in 1930 it was extremely controversial, and the cast plays it out with considerable intensity. Most notable is star Norma Shearer; although changing styles have left her sadly neglected, in her own era she was considered among the finest actresses on the screen and noted for her unusual beauty, memorable speaking voice, and tremendous star quality. In THE Divorcée she gives it everything she has, and her power is such that most viewers will find she quickly transcends the stylistically dated aspects of both the film and her own performance.
Over the years I've seen the film several times--most impressively on the big screen, where the larger than life performances seem considerably less affected--and I've enjoyed it quite a bit every time. If you are interested in exploring early 1930s Hollywood films, you could do considerably worse than to begin with THE Divorcée, which was my own introduction to that film era. If you are already interested in early 1930s film and have never seen it... this one belongs on your shelf, and no excuses.
Gary F. Taylor, aka GFT
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