After accidentally killing the man who raped her and forced her into prostitution, a New Orleans woman flees to a Caribbean island. While she awaits her fiancé, the vicious local police chief sets his sights on her.
William A. Wellman
Lil works for the Legendre Company and causes Bill to divorce Irene and marry her. She has an affair with businessman Gaerste and uses him to force society to pay attention to her. She has ... See full summary »
A relationship gradually develops between a savvy New York street girl and a good-hearted cab driver--who first meet when she stiffs him for the fare--but other matters keep getting in their way, including financial problems and a murder.
Frisco Jenny was orphaned by the 1906 earthquake and fire and has become the madame of a prosperous bawdy house. She puts her son up for adoption and he rises to prominence as district ... See full summary »
William A. Wellman
Helen Jerome Eddy
Jerry and Ted are young, in love, and part of the New York 'in-crowd'. Jerry's decision to marry Ted crushes a yearning Paul. Distraught Paul gets drunk and wrecks his car, disfiguring young Dorothy's face in the process. Out of pity, Paul marries Dorothy. Years later, the apparent perfect marriage of Ted and Jerry falls apart from infidelity on both sides. Inwardly unhappy, popular Jerry lives a party life while Ted sinks into a life of alcoholism. Jerry then runs into Paul, who still loves her. After spending time together with Jerry, Paul plans to divorce Dorothy. When Jerry sees Dorothy again, she has second thoughts about where her life is heading. Written by
Gary Jackson <email@example.com>
The listing for Robert Z. Leonard as "producer" is actually in lieu of a director's credit. At the time, instead of crediting its directors as such, MGM frequently listed their names as "A nk] Production" on the same card as the main title. Leonard's actual function on this film was director, not producer. See more »
The beginning of the movie is 1925 shortly before Jerry's marriage, yet, "Singing in the Rain" is playing on the radio. The song was composed for Hollywood Music Box Revue in 1927 and really popularized in MGM's Hollywood Revue of 1929. See more »
A vivacious and happily married young woman discovers that her husband has been unfaithful. Embittered, she embarks on a brief affair of her own. Her marriage soon over, THE DIVORCEE quickly enters a downward spiral of escalating sexual promiscuity. How can she ever regain her husband & the happiness they once knew?
Norma Shearer won the Best Actress Oscar for her performance in this well-acted soap opera. Running the range of emotions, she is ably backed up by Chester Morris, Conrad Nagel & Robert Montgomery as the three very different men in her life. (Montgomery exhibits the sophisticated charm which quite shortly would make him one of the biggest stars at MGM.) Zelda Sears, a top writer at the Studio, has the role of Hannah the maid - and she gets some of the best lines.
The very elastic morality of the plot shows the pre-Production Code status of the film, while, oddly, the twin beds in the bedroom of Shearer & Morris point out that not all the restrictions of the initial Hays period had completely died away.
In 1930, talkies were still in their infancy in Hollywood & audio awkwardness was common in many studio's output. At MGM, Norma Shearer's brother Douglas was Recording Director and his department learned their new lessons quickly. Look at the opening scene in THE DIVORCEE, set in the large living room of a mountain lodge. Notice the action & dialogue going on at various levels - with the radio playing `Singing In The Rain' in the background - and it's easy to see that MGM had mastered the mysteries of the microphone.
20 of 25 people found this review helpful.
Was this review helpful to you?