Lil works for the Legendre Company and causes Bill to divorce Irene and marry her. She has an affair with businessman Gaerste and uses him to force society to pay attention to her. She has ... See full summary »
Elyot and Sibyl are being married in a big church ceremony. Amanda and Victor are being married by a French Justice of the Peace. Both couples go to a hotel on the same day and are put in ... See full summary »
Frisco Jenny was orphaned by the 1906 earthquake and fire and has become the madame of a prosperous bawdy house. She puts her son up for adoption and he rises to prominence as district ... See full summary »
William A. Wellman
Helen Jerome Eddy
Jerry and Ted are young, in love, and part of the New York 'in-crowd'. Jerry's decision to marry Ted crushes a yearning Paul. Distraught Paul gets drunk and wrecks his car, disfiguring young Dorothy's face in the process. Out of pity, Paul marries Dorothy. Years later, the apparent perfect marriage of Ted and Jerry falls apart from infidelity on both sides. Inwardly unhappy, popular Jerry lives a party life while Ted sinks into a life of alcoholism. Jerry then runs into Paul, who still loves her. After spending time together with Jerry, Paul plans to divorce Dorothy. When Jerry sees Dorothy again, she has second thoughts about where her life is heading. Written by
Gary Jackson <firstname.lastname@example.org>
The listing for Robert Z. Leonard as "producer" is actually in lieu of a director's credit. At the time, instead of crediting its directors as such, MGM frequently listed their names as "A nk] Production" on the same card as the main title. Leonard's actual function on this film was director, not producer. See more »
At 30:11, the stole on Jerry's arm moves. See more »
This picture redeems Ms. Shearer's supposed reliance on her husband Irving Thalberg's influence to get her and keep her in good roles. She emotes, she sparkles, she holds your attention throughout this picture and brings life to what might have been just another early talkie pot-boiler.
Some of the dialogue and sound are a little clumsy, probably due to lack of technique in the early talkie era. One can almost sense the hidden microphones on the set!
Conrad Nagel is great in this too.
Worth seeing at least once!
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