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Dancing Sweeties (1930)

Passed | | Comedy, Romance, Drama | 19 July 1930 (USA)
Bill is a hot shot dancer who partners with Jazzbo, until he sees Molly at the dance. He enters the Waltz with Molly and wins first prize - and they wind up being married that same night. ... See full summary »



(story "Three Flights Up"), (adaptation) | 1 more credit »


Complete credited cast:
Molly O'Neil
Pa Cleaver
'Jazzbo' Gans
Eddie Phillips ...
Needles Thompson
Margaret Seddon ...
Mrs. Cleaver
Sid Silvers ...
Jerry Browne


Bill is a hot shot dancer who partners with Jazzbo, until he sees Molly at the dance. He enters the Waltz with Molly and wins first prize - and they wind up being married that same night. Now they are free of their parents nagging and their own bosses. 24 hours - no dancing as in-laws are visiting. 24 days - the Apartment is finished so off to the Hoffman's Parisian Dance Palace. Molly can only dance the Waltz and not the hot new jazz dance so she leaves and Bill follows. They are both unhappy, Bill has two left feet when it comes to romance. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis


Whirlwind whoopee at double-time tempo! See more »


Comedy | Romance | Drama






Release Date:

19 July 1930 (USA)  »

Also Known As:

Three Flights Up  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Apparatus)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


"Dancing with Tears in My Eyes", with music by Joseph A. Burke and lyrics by Al Dubin was written for the movie but cut from the released print. See more »


The Kiss Waltz
(1930) (uncredited)
Music by Joseph A. Burke
Lyrics by Al Dubin
Played at the Hoffman Parisian Dance Palace
Sung by Grant Withers
Reprised by an unidentified male quartet
Reprised by Sue Carol
Played as background music often
See more »

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User Reviews

10 April 2006 | by (Virginia Beach) – See all my reviews

There is at least one reason to watch bad films, especially old ones.

So much in life is the result of odd quirks of evolution, or happenstance if you prefer. All the things we are surrounded by seem as natural as sunlight and the only way they could be. But we live in a world where the stilted possibilities so outweigh the lucky happenstance that it is amazing we can stand it.

Movies are a small cosmos we create as our own gods and they behave the same way. So what we watch and how our visual imagination works is largely accidental. You can see some of the broken paths in old films. These reflect the "what might have beens" of the real world and are the real nodes of extinct possibilities in movies.

And when it is a dance movie, so much the better, because film and dance have been on- again off-again sweethearts from the beginning to now. And perhaps no romance in film has been more passionate but constrained than this.

Now. This movie, a vitaphone from the first real year of talkies is an interesting find. The story is simple and staged as a play except for the dance scenes. That story would be unacceptably simple and direct today: a guy is a dancing fool who cannot live without spending nights at the local dance hall competing. The text after the title sequence assures us that such passionate folk exist.

The girl is a simple, ordinary type, interested in building a home and family. By the thinnest of devices, they meet, marry and events transpire as expected. (Dance loses, family wins.)

And that's what happens in the movie proper. Dance is left by the wayside. In fact, except for the title sequence and a bit in the middle where our players watch a Charleston-type group, the dance is a matter of talking about it and some amazingly ungraceful boxstep.

What prompted me to this was seeing "Take the Lead," the newest dance movie as I write this. In a way, these are two ends of two family trees that still hasn't found the perfect mating.


Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

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