IMDb > Escape from Dartmoor (1929)

Escape from Dartmoor (1929) More at IMDbPro »A Cottage on Dartmoor (original title)

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Down 3% in popularity this week. See why on IMDbPro.
Herbert Price (from the story by)
Anthony Asquith (scenario)
View company contact information for Escape from Dartmoor on IMDbPro.
Release Date:
11 April 1930 (USA) See more »
Flashback story of an escape from the lonely, high-security Dartmoor Prison. A jealous barber's assistant... See more » | Add synopsis »
(8 articles)
Restored 'Shooting Stars' to premiere at BFI London Film Festival
 (From ScreenDaily. 20 August 2015, 4:34 AM, PDT)

The Forgotten: Going Underground
 (From MUBI. 22 August 2013, 4:03 AM, PDT)

Unesco should register these silents
 (From The Guardian - Film News. 12 July 2013, 5:57 AM, PDT)

User Reviews:
Visually and technically impressive with solid narrative See more (17 total) »


  (in credits order)

Hans Adalbert Schlettow ... Harry a Dartmoor Farmer (as Hans Schlettow)
Uno Henning ... Joe a Barber's Assistant
Norah Baring ... Sally a Manicurist
rest of cast listed alphabetically:
Anthony Asquith ... Bespectacled man in cinema (uncredited)
Judd Green ... Customer (uncredited)

Directed by
Anthony Asquith 
Writing credits
Herbert Price (from the story by) (as Herbert C. Price)

Anthony Asquith (scenario)

Produced by
H. Bruce Woolfe .... producer (uncredited)
Original Music by
Stephen Horne (2006)
Peter Reiter-Schaub (2016)
Cinematography by
Stanley Rodwell (photography)
Axel Lindblom (uncredited)
Art Direction by
Ian Campbell-Gray  (as Ian Campbell Gray)
Arthur B. Woods (uncredited)
Second Unit Director or Assistant Director
A. Frank Bundy .... assistant director (uncredited)
Music Department
William Hodgson .... conductor
William Hodgson .... music compiler
Stephen Horne .... musician: piano for 2006 score
Alfred Huff .... music mixer
Megumi Kasakawa .... musician: Viola
Michael M. Kasper .... musician: Cello
Jadish Mistry .... musician: Violin
Diego Ramos Rodriguez .... musician: Violin
Other crew
Ralph Smart .... continuity (uncredited)

Production CompaniesDistributors

Additional Details

Also Known As:
"A Cottage on Dartmoor" - Sweden (original title)
See more »
88 min
Aspect Ratio:
1.20 : 1 See more »
Sound Mix:
Mono (theatre scene) (soundtrack lost) | Silent
Sweden:15 | UK:A | UK:PG (DVD rating)

Did You Know?

Continuity: Joe's coworker reaches down to pick up the movie tickets with his right hand, but the close-up shows his left hand grabbing them.See more »


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8 out of 9 people found the following review useful.
Visually and technically impressive with solid narrative, 1 October 2007
Author: bob the moo from United Kingdom

Sally lives in a cottage on Dartmoor when, on a dark and quiet night, a man breaks into her home having just escaped the high-security prison across the moors. That man is none other than Joe, a former barber's assistant at the place where Sally used to be a manicurist. As they connect eyes, the audience flashback to the times where Joe and Sally once worked together and he had tried to woo her at the beginning of a series of events that now brought them to this place.

The BBC's summer of British films this year turned out to be better than I expected it to be because, instead of wheeling out Zulu, Dam Busters and all the usual British films, they actually screened lots of films that I had not seen or, in some cases, heard of. Of course this meant that some of them were not any good but at least it was an attempt to fresh up the idea of what British cinema is. A Cottage on Dartmoor is a good example of this as it is rare for silent films to be screened on television and far more rare for them to be British silent films. I had never seen this and I enjoyed it a great deal.

Narrative-wise the film opens with an element of fear and tension before jumping back to more of a comedy and romance. As this builds back to where it started again for a good finish. The film is maybe 15 minutes too long for the material to sustain but otherwise it is well delivered. The funny bits are amusing, the tense bits tense and the romance nicely melodramatic and tragic, however it is the delivery that makes the film – specifically that of Asquith and his cinematographer. Visually the film matches the tone of the film really well – opening and closing with sharp shadows on the moors, and enjoying a bright and carefree air early in the barbershop scenes. The images are sharp and really well formed with plenty of clever shots. Mirrors are used well, conversations represented by stock footage, flashbacks delivered within flashbacks and a great scene where we watch a cinema audience reacting to a film they are watching. Visually and technically it is very impressive and I enjoyed it a great deal.

Deserves to be screened a lot more than it is and be seen by more people than it is, but credit to the BBC for showing it recently.

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