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Escape from Dartmoor (1929)
"A Cottage on Dartmoor" (original title)

 |  Crime, Drama  |  11 April 1930 (USA)
7.8
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Ratings: 7.8/10 from 557 users  
Reviews: 16 user | 13 critic

Flashback story of an escape from the lonely, high-security Dartmoor Prison. A jealous barber's assistant is enraged by the attentions that his manicurist girlfriend pays to a customer. He ... See full summary »

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(from the story by) (as Herbert C. Price) , (scenario)
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Cast

Cast overview:
...
Harry a Dartmoor Farmer (as Hans Schlettow)
Uno Henning ...
Joe a Barber's Assistant
Norah Baring ...
Sally a Manicurist
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Storyline

Flashback story of an escape from the lonely, high-security Dartmoor Prison. A jealous barber's assistant is enraged by the attentions that his manicurist girlfriend pays to a customer. He threatens the customer with an open razor and lands in gaol. Written by Anonymous

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Genres:

Crime | Drama

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Release Date:

11 April 1930 (USA)  »

Also Known As:

Escape from Dartmoor  »

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Sound Mix:

(theatre scene) (soundtrack lost)|

Aspect Ratio:

1.20 : 1
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Featured in Shepperton Babylon (2005) See more »

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User Reviews

 
A barber, a manicurist & a client are on the razor's edge of a deadly love triangle.
30 October 2008 | by (United States) – See all my reviews

Anthony Asquith is best known for straightforward film-making in the so-called British literary tradition which served him particularly well in stage-to-screen adaptations of G. B. Shaw & Terrence Rattigan. Letting the writer function as auteur doesn't win you critical kudos, but films as fine as PYGMALION/'38 and THE BROWNING VERSION/'51 don't just 'happen.' Even so, it's fun to watch the young Asquith show off, even needlessly, on late silents like this & UNDERGROUND/'28, also out on DVD. You can all but hear him parsing the latest Russian or German import just screened at his CineClub. There's some strikingly fast montage work and psychological P.O.V. stuff (even a shock-flash of red tinting as in the original prints of Hitchcock's SPELLBOUND/'45), but the main influence is UFA studios with their posh camera moves, rich visual texture, expressionist acting, shadowy lighting & diagonal slashes The opening works best as Swedish actor Uno Henning (in his only British role, he's an intriguing mix of Buster Keaton & Conrad Veidt) breaks out of prison in search of revenge. The story flashes back to detail a rather commonplace love triangle that gives Asquith plenty of space for his set pieces (a visit to the cinema, a very close shave, et al.) which tend to run on a bit too long. But no matter, it's all ravishing to watch and if the characterizations never quite add up, the visual touches are worth the stretch.


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