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City Girl (1930)

Not Rated  |   |  Drama, Romance  |  1930 (Germany)
7.9
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Ratings: 7.9/10 from 1,776 users  
Reviews: 23 user | 30 critic

Lem goes to Chicago to sell the wheat his family has grown on their farm in Minnesota. There he meets the waitress Kate. They fall in love and get married before going back to the farm. ... See full summary »

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(titles), (titles), 3 more credits »
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Title: City Girl (1930)

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Cast

Complete credited cast:
...
...
David Torrence ...
Lem's father
Edith Yorke ...
Lem's mother
...
Marie Tustine (as Dawn O'Day)
Tom McGuire ...
Richard Alexander ...
Mac
Patrick Rooney ...
Butch (as Pat Rooney)
Ed Brady ...
Reaper
Roscoe Ates ...
Reaper
Rest of cast listed alphabetically:
Eddie Boland
...
Hungry reaper
Ivan Linow ...
Taxi driver
Arnold Lucy ...
Cafe patron
...
Girl on train
Edit

Storyline

Lem goes to Chicago to sell the wheat his family has grown on their farm in Minnesota. There he meets the waitress Kate. They fall in love and get married before going back to the farm. Kate is accepted by Lem's mother and kid sister but is rejected by his father, who believes she married for the money. (And the fact that Lem didn't get a fair price for the wheat is her fault too). The reapers arrive and quickly they make things even more complicated by making their move on Kate. Lem misunderstands the situation and believes Kate is actually interested. In despair Kate leaves the farm and Lem goes looking for her. Written by Frank Dabelstein <frank@dabelstein.dk>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
Edit

Details

Country:

Language:

Release Date:

1930 (Germany)  »

Also Known As:

Our Daily Bread  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (silent)

Sound Mix:

(Western Electric Sound System)|

Aspect Ratio:

1.19 : 1
See  »
Edit

Did You Know?

Trivia

Director F.W. Murnau wanted the title of the film to be "Our Daily Bread", but the studio refused. In addition, the film, which had been shot silent, was scheduled by the studio to have parts of it reshot with sound. Murnau refused, wanting nothing to do with "talkies", and after this and other clashes with the studio he left the picture before it was completed. An assistant director finished it. See more »

Goofs

Each time when Lem's father, Kate, and Mac storm out of the farmhouse after Kate bandages Mac's hand, the shadow of the screen door moves across the "sky" backdrop in the background. See more »

Connections

Featured in Murnau, Borzage and Fox (2008) See more »

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User Reviews

 
Fascinating, especially as a social document
23 March 2007 | by (New York City, USA) – See all my reviews

True, it isn't "Sunrise" (what is?) and it isn't even the complete silent version as Murnau envisioned it, but it's still a beautifully expressive film from one of the great masters. What's more, it's the only film I've ever seen which pinpoints a pivotal moment in American history (it seems to be set before the Crash). One thing that precipitated the Great Depression was the squeeze on farmers, who had no profit margin at all, and whose only recourse was to plant more and more, unwittingly worsening their own situation. One of the conflicts is that Charles Farrell is sent to the city to sell the wheat crop at the most advantageous price (and this is a desperate necessity), and not only fails to do so but comes home with a (perhaps unsuitable) new wife. The family patriarch has planted the farm in wheat right up to the front door, and even reprimands his little girl for picking a stalk of it to play with. They are drowning in a product everybody needs but which barely supports them, and on which they are completely dependent. The contrast between an agricultural America far from idyllic and a motorized city whose drudgery for most is at least as bad is redeemed by the awakening of human feelings and re-ordered priorities. Nothing will save these people but love and family.


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