In the dead of winter, street musicians Stanley and Oliver aren't getting much business in a run-down neighborhood, and then their instruments are smashed in a run-in with a formidable ... See full summary »
Ollie is running for mayor when an old flame (Mae Busch) tries to blackmail him with a old photo ('just the same old apple-cheeked boy'). Stan's attempts to help Ollie keep the blackmailer ... See full summary »
Ordered out of town by angry Judge Beaumont, vagrants Stanley and Oliver meet a congenial drunk who invites them to stay at his luxurious mansion. The drunk can't find his key, but the boys... See full summary »
After getting lambasted by the Police Chief for the 42 unsolved robberies committed on his watch, Officer Kennedy bamboozles vagrants Stanley and Oliver into a plan to recover his ... See full summary »
On their way to the train station with their wives for a vacation in Atlantic City, Stanley and Oliver get a phone call from a fellow lodge member who tells them a surprise stag party in ... See full summary »
James W. Horne,
Stanley and Oliver protest that they were only bystanders to the raid, but are hauled off to a prison labor camp anyway. They procede with their usual mayhem, Stanley getting his pick stuck... See full summary »
Oliver's plans to marry his hefty sweetheart go awry when the girl's father gets a load of her intended groom. They then elope in a tiny car much too small for their combined dimensions, ... See full summary »
Big-time (so they think) vaudeville stars Stanley and Oliver take the train to Pottsville, their next booking. On board, they bumble into the wrong sleeping compartment, startling a ... See full summary »
Plans for a nice Sunday picnic seemed doomed even before Stanley and Oliver and their families get into the car. First the boys get into a fight and destroy all the sandwiches. Then the car... See full summary »
A gruff sea captain, who absolutely detests the word "ghost," is having trouble manning his ship because of the rumor it's...well...haunted. He inveigles Stanley and Oliver into helping him... See full summary »
Stan purloins his wife's secret bottle of liquor to have a wild night out at the Rainbow Club with Ollie. However Mrs Laurel has replaced the booze with a noxious mixture of cold tea, mustard power and other hot ingredients. This doesn't prevent the boys from getting tipsy on the contents! Written by
Stephen Harrison <firstname.lastname@example.org>
The print shown on TCM is the 1938 re-release, with production code approval on the title card, and an updated background musical score, similar to the one heard in Block-Heads (1938). See more »
In the phone booth scene, when Hardy looks up Laurel's phone number the first time, he finds the number about one-inch into the directory. The second time he looks up the number, he goes much farther into the directory to locate the number. See more »
[Last lines to Cab Driver. Running out of club with Stan and Mrs. Laurel in pursuit]
Out of the city! Anywhere! Anyplace!
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Ollie hatches a plan to sneak henpecked Stan out for a night on the town with Mrs. Laurel's hidden bottle of liquor. Unfortunately, Mrs. Laurel, played by the always reliable Anita Garvin, overhears the plot and substitutes the liquor for a distasteful combination of her making.
Fans and critics tend to be dismissive of film, but I have always found this film to be one of my favorites of their early talkie shorts. There isn't much of a plot, but the sequences are very well-constructed and funny. The interplay between Stan and Anita is very funny. (I like her much better than Linda Loredo, who plays the same role in the Spanish language version.) I also really enjoy Ollie's solo bits on the telephone. Those people who dismiss him as being Stan's straight man should watch that scene. His mannerisms and expressions are priceless.
The nightclub sequence is very funny as the boys proceed to get "drunk" on the illicit "alcohol." The best moment is when Stan is reduced to tears by a melancholy song. The boys would go on laughing jags later in the other films, but nowhere is it funnier than in this film, which also ends effectively with a big car gag -- as so many Laurel and Hardy films do!
Others may disagree, but I consider this a classic Laurel & Hardy short.
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