Many passengers on the Shanghai Express are more concerned that the notorious Shanghai Lil is on board than the fact that a civil war is going on that may make the trip take more than three... See full summary »
Josef von Sternberg
Anna May Wong
Film told in flashbacks of an older man's obsession for a woman who can belong to no-one but can frustrate everyone. The backdrop is SternbergÍs surreal and fantastic Carnaval in Spain. In ... See full summary »
Josef von Sternberg
Edward Everett Horton
Young Princess Sophia of Germany is taken to Russia to marry the half-wit Grand Duke Peter, son of the Empress. The domineering Empress hopes to improve the royal blood line. Sophia doesn't... See full summary »
Kent, the unscrupulous boss of Bottleneck has Sheriff Keogh killed when he asks one too many questions about a rigged poker game that gives Kent a stranglehold over the local cattle rangers... See full summary »
Professor Immanuel Rath (Curt Jurgens)is a martinet botany professor at a German high school who finds post cards bearing the likeness of Lola-Lola (May Britt), "The Blue Angel", in the ... See full summary »
Immanuel Rath, an old bachelor, is a professor at the town's university. When he discovers that some of his pupils often go into a speakeasy, The Blue Angel, to visit a dancer, Lola Lola, he comes there to confront them. But he is attracted to Lola. The next night he comes again--and does not sleep at home. This causes trouble at work and his life takes a downward spiral. Written by
Yepok & Justin
Marlene Dietrich at her best in the German language version of Joseph Von Sternbergs THE BLUE ANGEL, unfortuonatly the English language version was rushed and not made very well so the film never really went down well with 1930s English speaking audiences. The film to me is a dark look at self destruction and degradation. My favourite scene in the film is at the end when Lola Lola is sitting almost triumphantly on a bar stool crooning "falling in love again" whilst her lover, the once great professer slips out into the dark street preparing to walk the long road to death. Although visually the film is no longer superior and Dietrich does not appear to have lost any of her plumpness as she would for her American debut she still appears radiant and her on screen persona would never be quite so strong again, maybe it is because this is the only film that Dietrich would make speaking in her Mother tongue.
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