The Blue Angel
(1930)
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The Blue Angel
(1930)
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| Cast overview, first billed only: | |||
| Emil Jannings | ... | ||
| Marlene Dietrich | ... | ||
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Kurt Gerron | ... |
Zauberkünstler Kiepert /
The Magician
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Rosa Valetti | ... |
Guste Kiepert /
The Magician's Wife
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Hans Albers | ... |
Mazeppa /
The Strongman
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Reinhold Bernt | ... |
Der Clown /
The Clown
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Eduard von Winterstein | ... |
Schuldirektor /
The Director of School
(as Eduard V. Winterstein)
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Hans Roth | ... |
Hausmeister /
The Caretaker of the Secondary School
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Rolf Müller | ... |
Gymnasiast Angst /
Pupil
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Roland Varno | ... |
Gymnasiast Lohmann /
Pupil
(as Rolant Varno)
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Carl Balhaus | ... |
Gymnasiast Ertzum /
Pupil
(as Karl Balhaus)
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Robert Klein-Lörk | ... |
Gymnasiast Goldstaub /
Pupil
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Charles Puffy | ... |
Wirt /
Innkeeper
(as Karl Huszar-Puffy)
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Wilhelm Diegelmann | ... |
Kapitän /
Captain
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Gerhard Bienert | ... |
Polizist /
Policeman
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Immanuel Rath, an old bachelor, is a professor at the town's university. When he discovers that some of his pupils often go into a speakeasy, The Blue Angel, to visit a dancer, Lola Lola, he comes there to confront them. But he is attracted to Lola. The next night he comes again--and does not sleep at home. This causes trouble at work and his life takes a downward spiral. Written by Yepok & Justin
I just got through watching The Blue Angel (1930) for the second time in a month. When I was watching the beginning this time, I thought: oh, this isn't as powerful as I remembered. I even thought Jannings was overdoing it a little -- he couldn't be as good as I remembered. And then it absolutely knocked me for a loop all over again.
Bear in mind that I have a tape that cost $3.98. The film looked old and scratchy, the tape quality was bad, and the sound was poor. This is one of the very earliest sound movies and the sound technique was sometimes distracting. After the first 20 minutes, I couldn't have cared less about the technology. The images of this film are burned into my brain. The business at the very beginning with the dead bird and the sugar cube, the caricatures on the blackboards, Lola's reaction to the marriage proposal, the wedding party and, most of all, the entire last half hour of this film -- none of that left me in the three weeks since my first viewing and it lost none of its impact the second time around.
Emil Jannings was just absolutely wonderful. His face in the mirror toward the end is heartbreaking. He doesn't have to say a word. This was Dietrich's debut, and she is great too, but it is Jannings' picture.
Highly recommended. 10/10