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The Blue Angel (1930)
"Der blaue Engel" (original title)

 -  Drama | Music  -  3 January 1931 (USA)
7.8
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Ratings: 7.8/10 from 9,190 users   Metascore: 88/100
Reviews: 78 user | 76 critic | 9 from Metacritic.com

An elderly professor's ordered life spins dangerously out of control when he falls for a nightclub singer.

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Edit

Cast

Cast overview, first billed only:
...
...
Kurt Gerron ...
Zauberkünstler Kiepert / The Magician
...
Guste Kiepert / The Magician's Wife
Hans Albers ...
Mazeppa / The Strongman
Reinhold Bernt ...
Der Clown / The Clown
Eduard von Winterstein ...
Schuldirektor / The Director of School (as Eduard V. Winterstein)
Hans Roth ...
Hausmeister / The Caretaker of the Secondary School
Rolf Müller ...
Gymnasiast Angst / Pupil
...
Gymnasiast Lohmann / Pupil (as Rolant Varno)
Carl Balhaus ...
Gymnasiast Ertzum / Pupil (as Karl Balhaus)
Robert Klein-Lörk ...
Gymnasiast Goldstaub / Pupil
Charles Puffy ...
Wirt / Innkeeper (as Karl Huszar-Puffy)
...
Kapitän / Captain
Gerhard Bienert ...
Polizist / Policeman
Edit

Storyline

Immanuel Rath, an old bachelor, is a professor at the town's university. When he discovers that some of his pupils often go into a speakeasy, The Blue Angel, to visit a dancer, Lola Lola, he comes there to confront them. But he is attracted to Lola. The next night he comes again--and does not sleep at home. This causes trouble at work and his life takes a downward spiral. Written by Yepok & Justin

Plot Summary | Plot Synopsis

Genres:

Drama | Music

Certificate:

Not Rated | See all certifications »
Edit

Details

Country:

Language:

|

Release Date:

3 January 1931 (USA)  »

Also Known As:

The Blue Angel  »

Filming Locations:

 »

Box Office

Opening Weekend:

$6,451 (USA) (13 July 2001)

Gross:

$77,982 (USA) (7 December 2001)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (TCM print) | (cut) | (English)

Sound Mix:

Aspect Ratio:

1.20 : 1
See  »
Edit

Did You Know?

Trivia

There are various accounts of why Marlene Dietrich was cast as Lola Lola, but the one given by director Josef von Sternberg in his autobiography is that Dietrich came to test for the film with a bored, world-weary attitude because she was convinced she wasn't going to get the role and was merely going through the motions - and Sternberg hired her because that world-weary attitude was precisely what he wanted for the character. See more »

Quotes

[singing]
Lola Lola: Falling in love again/ Never wanted to/ What am I to do?/ I can't help it.
See more »

Connections

Featured in Hollywood: The Great Stars (1963) See more »

Soundtracks

Ich bin die fesche Lola
(uncredited)
Written by Friedrich Hollaender
Performed by Marlene Dietrich
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
One of the Truly Great Films!
18 August 2003 | by (New York, USA) – See all my reviews

Like THE GODFATHER, CITIZEN KANE, NIGHT OF THE HUNTER and a few others,

THE BLUE ANGEL is one of the great films of all time, simply because

everything works.

Marlene Dietrich is amazing, probably never as good again, as her Lola

is the quintessential woman mixed with Circe, Delilah and all things

different and apart. As she leads men to their doom she sings honestly

that she "just can't help it," yet men follow her willingly. Emil

Jannings as Professor Rath gives what, in my estimation, is the greatest

performance by an actor on film, first as a martinet, then a man finding

first love, then a devoted married man, then a cuckold, a clown and,

finally a broken, destroyed man. (The moment where he wakes in Lola's

bed and finds delight in Lola's doll is one of the great miniatures in

any film.) To see Kurt Gerron's powerful, nuanced performance as the

leader of the rag tag cabaret troop is heartbreaking when you know that

the perished ina gas chamber only a few years later.) Director Josef Von

Sternberg leads the proceedings through staid classrooms, down twisting

expressionist streets, to the tawdry inside of "The Blue Angel", and

finally, through the labyrinth of Rath's life leading inexorably to his

downfall. Symbolism, from a dead canary to the noose like collars

clowns wear, abound. And oh the songs by Freidrich Hollander! (Kander

and Ebb must have watched this film many times before writing CABARET as

so many parts of that production...including the gift of a

pineapple..are seen here.)

I have seen this film again and again and every time it is fresh as it

was the first time, and, I would suppose, as it was in 1929. What a

great, great film!!!


32 of 43 people found this review helpful.  Was this review helpful to you?

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Lola/Rath in German version vs American Version jghitchins
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German or English Version? ejgreen77
Lola Lola's Song ReganRebecca
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