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The Blue Angel (1930)

Der blaue Engel (original title)
Not Rated | | Drama, Music | 3 January 1931 (USA)
An elderly professor's ordered life spins dangerously out of control when he falls for a nightclub singer.

Writers:

(novel), | 2 more credits »

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Cast

Cast overview, first billed only:
...
...
Kurt Gerron ...
Zauberkünstler Kiepert / The Magician
...
Guste Kiepert / The Magician's Wife
...
Mazeppa / The Strongman
Reinhold Bernt ...
Der Clown / The Clown
Eduard von Winterstein ...
Schuldirektor / The Director of School (as Eduard V. Winterstein)
Hans Roth ...
Hausmeister / The Caretaker of the Secondary School
Rolf Müller ...
Gymnasiast Angst / Pupil
...
Gymnasiast Lohmann / Pupil (as Rolant Varno)
Carl Balhaus ...
Gymnasiast Ertzum / Pupil (as Karl Balhaus)
Robert Klein-Lörk ...
Gymnasiast Goldstaub / Pupil
Károly Huszár ...
Wirt / Innkeeper (as Karl Huszar-Puffy)
...
Kapitän / Captain
Gerhard Bienert ...
Polizist / Policeman
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Storyline

Germany 1924. Middle aged Dr. Immanuel Rath is a literature professor at a boys college. Most of his students don't much like him, often calling him "unrath" - German for garbage. Dr. Rath learns that many of his boys often frequent a cabaret called Der blaue Engel - the Blue Angel - which he believes is corrupting their impressionable young minds. He heads to the Blue Angel himself to catch the boys in the act and shame them into not going again. Over several visits, Rath is able to catch the boys, but in the process he also understands what attracts the boys, namely the headlining performer Lola Lola. Rath falls under Lola's spell, he who falls in love with her - and she seemingly with him - so much so that he wants to marry her and give up his teaching career to be with her on her travels from cabaret to cabaret. Their relationship ends up not being what either envisioned, the question being how they will both deal with their disintegrating relationship and the reasons behind that ... Written by Huggo

Plot Summary | Plot Synopsis

Genres:

Drama | Music

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

| |

Release Date:

3 January 1931 (USA)  »

Also Known As:

The Blue Angel  »

Filming Locations:

 »

Box Office

Opening Weekend:

$6,451 (USA) (13 July 2001)

Gross:

$77,982 (USA) (7 December 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(TCM print) | (German) | (English)

Sound Mix:

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

This was Emil Jannings' final English-language film (it was released in both German and English versions - see Alternate Versions). See more »

Quotes

Schuldirektor: There's a lot I can understand. But to risk one's entire future for that kind of woman?
See more »

Connections

Referenced in Le choc (1982) See more »

Soundtracks

Ich bin von Kopf bis Fuß auf Liebe eingestellt
(uncredited)
Written by Friedrich Hollaender
Performed by Marlene Dietrich
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Classic Gold
22 December 2001 | by (Netherlands) – See all my reviews

First -and only- time I saw Der Blaue Engel, I was a boy of about 13-14 years old. Even though this was over 35 years ago, I still remember how this movie blew me away. I came out of the theater with a new understanding of the world and the human condition.

The story is in essence about love, and what it can make a person do. It is also about what people will do to each other, a theme this movie takes to it's extreme. The acting is supreme, the atmosphere breathtaking, the music score fabulous. Marlene sings one of the great songs in movie history; German cabaret pur sang.

This is a European film in the best sense of the word. It gives the spectator the feeling of being picked up and dropped somewhere in time and place, to witness a dramatic sequence of events in the lives of a small group of people. It starts out jolly enough, but pretty soon you feel that things are going to go terribly wrong. And sure enough, they do.

The young boy that was I, left this movie with a weird mixture of feelings. On the one hand the fear of ever being trapped in such a romantic cul-de-sac, and of losing all human dignity. On the other, a deep longing to experience those bitter emotions. Isn't this the greatest accolade for a tragedy: that it moves you to tears, but at the same time makes you want to experience the sad events that caused those tears?


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