| Basil Rathbone | ... | Philo Vance | |
| Leila Hyams | ... | Belle Dillard | |
| Roland Young | ... | Sigurd Arnesson | |
| Alec B. Francis | ... | Professor Bertrand Dillard | |
| George F. Marion | ... | Adolph Drukker | |
| Zelda Sears | ... | Mrs. Otto Drukker | |
| Bodil Rosing | ... | Grete Menzel | |
| Carroll Nye | ... | John E. Sprigg | |
| Charles Quatermaine | ... | John Pardee (as Charles Quartermaine) | |
| James Donlan | ... | Ernest Heath | |
| Sidney Bracey | ... | Pyne (as Sydney Bracey) | |
| Clarence Geldart | ... | John F.-X. Markham | |
| Delmer Daves | ... | Raymond Sperling | |
| Nellie Bly Baker | ... | Beedle | |
| rest of cast listed alphabetically: | |||
| Richard Cramer | ... | Detective in Park (uncredited) | |
| Frank Fanning | ... | Officer Manning (uncredited) | |
| Marcia Mae Jones | ... | Hungry Child in Park (uncredited) | |
| Broderick O'Farrell | ... | Dr. Van Pelt (uncredited) | |
| Douglas Scott | ... | Child with Book in Park (uncredited) | |
Directed by | |||
| David Burton | (stage direction) | ||
| Nick Grinde | (screen direction) (as Nick Grindé) | ||
Writing credits | ||
| S.S. Van Dine | (from the book by) | |
| Lenore J. Coffee | (adaptation, scenario and dialogue) | |
Original Music by | |||
| William Axt | (uncredited) | ||
Cinematography by | |||
| Roy F. Overbaugh | (photographed by) (as Roy Overbaugh) | ||
Film Editing by | |||
| William LeVanway | (film editor) | ||
Art Direction by | |||
| Cedric Gibbons | |||
Sound Department | |||
| Donald MacKenzie | .... | recording director (as Dr. Donald Mac Kenzie) | |
| Frank McKenzie | .... | sound (uncredited) | |
Costume and Wardrobe Department | |||
| Henrietta Frazer | .... | wardrobe | |
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| The Spider Returns | The Mystery of Mr. Wong | Making the Headlines | The Benson Murder Case | The Black Doll |
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| Full cast and crew | Company credits | External reviews |
| IMDb Mystery section | IMDb USA section |
Good effort given the primitive technology. This very early talkie does not creak like most of them did, and you believe that the same team could have done much better only a few years later.
Check out the innovative scene of Hyams at the three-way mirror. Beautiful scene that directors even today should view for technique. There are several little skilled touches added to this film that make you realize that the only limitation on the talent was the primitive lower-than-low tech.
Rathbone and Hyams seem more modern than the movie and they definitely do not creak.
Must reluctantly give it a "5" because of old set-bound look of the film and the lack of music but it is rewarding if you can overlook such drawbacks.