In this version of the Billy the Kid legend, Billy, after shooting down land baron William Donovan's henchmen for killing Billy's boss, is hunted down and captured by his friend, Sheriff ... See full summary »
In a juke joint, sharecropper Zeke falls for a beautiful dancer, Chick, but she's only setting him up for a rigged craps game. He loses $100, the money he got for the sale of his family's ... See full summary »
Daniel L. Haynes,
Nina Mae McKinney,
Grow up, check your sensitivity at the door and feel the comedic wrath of entertainment icon Joan Rivers. In this brand new live stand-up event Joan goes to great lengths to take on ... See full summary »
At the behest of Mahesh Verma, Shanta Prasad alias Abba, recruits Ghulam-E-Musthafa, a gangster and hit-man to carry out their nefarious activities. When Dayanand Dixit refuses to sell his ... See full summary »
Meek head clerk Kees Popinga realises at the same time as the police that owner De Koster has stripped his Dutch company clean because of his infatuation with a Parisian girl, Michelle. ... See full summary »
In this version of the Billy the Kid legend, Billy, after shooting down land baron William Donovan's henchmen for killing Billy's boss, is hunted down and captured by his friend, Sheriff Pat Garrett. He escapes and is on his way to Mexico when Garrett, recapturing him, must decide whether to bring him in or to let him go. Written by
Doug Sederberg <firstname.lastname@example.org>
Famous silent screen actor and history buff,William S. Hart, was hired by the studios as a tech adviser and to coach Johnny Mack Brown for his role as Billy the Kid. During a publicity photo shoot, Brown is seen holding Hart's most prize possession from his gun collection: a revolver that once belonged to Billy the Kid. It later turned out that Mr. Hart was bamboozled, the gun was manufactured years after Billy the Kid's death. Despite not being Billy the Kid's gun, the revolver continued to be on display at the William S. Hart Museum. In the 1990s, the museum was broken into and the entire gun collection was stolen. See more »
This film was full of surprises for me, given its less-than-stellar reputation. One has to view it in terms of Hollywood myth-making and not as if it's an episode of `Biography.' King Vidor's camerawork is startlingly fluid - he uses camera movement and cutting very effectively. One of the biggest surprises was the brutality (not to be confused with gore) of certain scenes. The film also does an excellent job of creating a mood of futility. As for Johnny Mack Brown, at first I thought he was inappropriately cast. But as the movie continued, his characterization seemed more valid. And of course, the location shots are stunning. This film is underrated and overdue for critical re-evaluation. Perhaps that will happen if an archivist finds a widescreen print!
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