Architect Gordon Wales finds fellow apartmenthouse resident Joan Marsh locked out and flirts with her. When she is murdered evidence points to him. He and Joan's roommate Noreen become ... See full summary »
During the Alaska gold rush, prospector George sends partner Sam to Seattle to bring his fiancée but when it turns out that she married another man, Sam returns with a pretty substitute, the hostess of the Henhouse dance hall.
A Union Cavalry outfit is sent behind Confederate lines in strength to destroy a rail/supply center. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
Bijou, a saloon singer with a reputation for inciting brouhahas, is one of several deportees from a south Pacific island to arrive at another U.S. protectorate, Boni Komba. She becomes very... See full summary »
Breck leads a wagon train of pioneers through Indian attack, storms, deserts, swollen rivers, down cliffs and so on while looking for the murder of a trapper and falling in love with Ruth. Written by
Ed Stephan <email@example.com>
According to the Nov. 12, 1930 issue of the Idaho Falls Post, this movie was once set to be titled "The Oregon Trail". The change, as stated, was made in response to the requests from nearby residents of Jackson, WY, where the bulk of the movie was filmed. See more »
(at around 10 mins) Breck Coleman leans his rifle against the water pump, then leaves it there and goes into the house. Not something a 'real' frontiersman would do. See more »
You know, I don't like that fellow. He's the kind who will pat you on your back to your face, and then laugh in your face behind your back.
See more »
Grandeur Version vs. Standard Version: They are not the same.
Contrary to the comment posted directly below, The Big Trail (1930) was not filmed in a three-camera process "much like the later Cinerama." That was the finale to Napoleon (1927), a different film entirely! The Big Trail was simultaneously shot in both 35mm and 70mm (Grandeur) versions, and both versions are shown on Fox Movie Channel from time to time, so it's easy to compare one with the other. The Grandeur version (broadcast in letterbox @ approximately its original 2-1 ratio) is more impressive cinematically with its wide angle panoramas, but suffers from the same problem that beset early CinemaScopes, a lack of close-ups forced upon director Raoul Walsh because of focus problems. Scenes involving individuals rather than crowds or long shots are much more effective in the standard version because the camera can move closer to the players thereby achieving a greater sense of involvement for the viewer. Watching the two versions simultaneously, one gets an accurate idea of which shots Walsh chose to shoot close-up, in the standard version, but could not, in the Grandeur version. There are also a couple sequences involving El Brendel: a shell game with Ian Keith, and some business with his wife & a jackass, which are in the Grandeur version, but missing from the standard version.
For the record, The Big Trail is the only one of three Fox Grandeur films which has survived in its original wide screen format. (The other two are Fox Movietone Follies of 1929, completely lost, and Happy Days, which survives only in standard format.) Other studios also experimented with wide film at this time, but the only other one still known to exist in both formats is The Bat Whispers, filmed in both 65mm and 35mm, and released by United Artists. Other wide films were MGM's Billy the Kid (1930) and The Great Meadow (1931), RKO's Danger Lights (1930), and WB's The Lash (1930), all of which can be seen in their standard format versions on Turner Classic Movies. WB's Kismet (1930) was also filmed both wide and standard, but seems to have completely disappeared; it is rumored to be lost.
Why did wide film fail in 1930? Theaters were reeling (pun intended) under the impact of the stock market crash of October 1929, and the spiraling costs of installing sound equipment, and so were adverse to taking on the added expense of installing additional new projection equipment and new wider screens to accommodate just a handful of films, photographed in a variety of different systems that were not even always compatible with each other. It would not be until 1953 when Fox, now Twentieth Century-Fox, would try again, and this time succeed, with the introduction of wide screen CinemaScope.
62 of 69 people found this review helpful.
Was this review helpful to you?